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Mumbai Indians announce ticket sale schedule for MI home matches

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Mumbai Indians announce ticket sale schedule for MI home matches



Mumbai Indians announce ticket sale schedule for MI home matches

The Mumbai Indians have released their ticket sales schedule for the home fixtures during the first phase of the tournament. The first phase of IPL is set to be played between March 28 to April 12.

Mumbai Indians will play four games in the first round of the 2026 Indian Premier League, according to the schedule released by the Board of Control for Cricket in India (BCCI). On March 29, they will host the Kolkata Knight Riders (KKR) at the iconic Wankhede Stadium to kick off their campaign. 

After that, they will travel to play the Delhi Capitals (DC) and the Rajasthan Royals (RR). Later, the five-time winners will play the Royal Challengers Bengaluru (RCB) at home. The match against the defending champions is expected to be a blockbuster event.

MI announce ticket sales schedule for IPL 2026

Tickets will be made available in four stages with tiered access, only as M-Tickets on the BookMyShow website and app. Google Pay users (GPAY UPI) can purchase tickets during the first phase between March 19 and March 21 at 12.00 pm. MI Gold, Silver, and Junior Members are eligible for early access through phase two booking, which runs from March 21 at 3.00 pm until March 22 at 3.00 pm IST.

MI Blue Members and pre-registered individuals in the third phase can book from March 22 5.00 pm to March 23 5.00 pm. As part of the fourth and final phase, BookMyShow users can make reservations from March 27, 5.00 pm IST to March 23, 5.00 pm 15T, while general public sales begin on March 25, 6.00 pm IST.

The franchise made it clear that to be eligible for early access perks, users must have acquired their membership by 11:59 PM IST on March 19, 2026.
Priority access is granted to devoted fans and MI members prior to the general public`s ticket availability, thanks to the pre-rolled release.

In preparation for the 19th edition of IPL, veteran Rohit Sharma joined the team on Monday, marking the official start of the team`s training camp. The Mumbai Indians will be aiming to win a record sixth IPL title.




Farah: 'In Main Hoon Na, Amrita’s character came from me'

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Farah: 'In Main Hoon Na, Amrita’s character came from me'


Farah Khan recalls father Kamran Khan dying a pauper with Rs 30: 'In Main Hoon Na, Amrita’s character came from me'
Filmmaker-choreographer Farah Khan recently opened up about her turbulent childhood, rejecting the “nepo kid” tag as she revisited her family’s dramatic fall from wealth to poverty after her father Kamran Khan’s film Aisa Bhi Hota Hai failed at the box office. She added, “In Main Hoon Na, Amrita’s character came from me because my dad wanted a son and the minute Sajid Khan was born, I was sidelined.”

Filmmaker-choreographer Farah Khan recently opened up about her turbulent childhood, rejecting the “nepo kid” tag as she revisited her family’s dramatic fall from wealth to poverty after her father Kamran Khan’s film Aisa Bhi Hota Hai failed at the box office.

‘We became paupers’

“I am not a nepo kid,” Farah said, adding, “We became paupers… I am not a nepo kid. My dad died a pauper. When he died, he had Rs 30 in his pocket.”Recalling the turning point, she told Ranveer Allahbadia, “As the sun went down, we used to start shaking because we knew now anything can happen during the night after my father would hit the bottle.”

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She continued, “It was riches to rags because my dad was doing extremely well. He got ambitious and he wanted to make a colour film with a bigger star and that’s where he spent all his money. He mortgaged the house and everything.”“That one film, it released on Friday, and by Sunday, we were poor, reverse 5-6 years old.”Speaking about the aftermath, Farah revealed, “We could not call people at home for years. My mom had left, and we could not tell people that my parents were separated because it was a different time.”She also shared that her father, ashamed of the situation, “didn’t work for 13 years.”

‘I was sidelined… the attention went to the son’

Opening up about her childhood, she said, “Because my dad was not a successful director, so I always wanted to be a director. Also, my childhood was all about films. We used to discuss films and go and watch a lot of films.”She added, “In Main Hoon Na, Amrita’s character came from me because my dad wanted a son and the minute Sajid Khan was born, I was sidelined. Though I know he loved me, but the attention went to the son. So, the wanting to be the alpha female comes from there.”

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Talking about her early struggles, Farah said, “First thing I bought was a fridge for Rs 4000.”She added, “I had to leave college because I didn’t have attendance. My mother gave me a lot of grief because she was heartbroken, so after 3–4 years, I got my degree.” Farah, daughter of Kamran Khan and former actor Menaka Irani, went on to become one of the most successful names in Bollywood, directing films like Om Shanti Om and Happy New Year starring Shah Rukh Khan, apart from choreographing countless hits.


‘I am sorry’: How Suryakumar Yadav defused Arshdeep Singh-Daryl Mitchell scuffle | Cricket News

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‘I am sorry’: How Suryakumar Yadav defused Arshdeep Singh-Daryl Mitchell scuffle | Cricket News


'I am sorry': How Suryakumar Yadav defused Arshdeep Singh-Daryl Mitchell scuffle
Suryakumar Yadav plays peacemaker in Arshdeep Snigh-Daryl Mitchell scuffle

NEW DELHI: India’s T20I captain Suryakumar Yadav has shared that he personally apologised to Daryl Mitchell after an on-field incident involving Arshdeep Singh during the recent World Cup final. His main aim, he said, was to show the right kind of leadership and sportsmanship.

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What happened during the match

The moment took place when Arshdeep threw the ball, and it accidentally struck Mitchell on his thigh pads. The incident didn’t go down well, especially since Arshdeep didn’t apologise immediately. This led to Mitchell confronting him, and the situation had to be calmed down by Suryakumar and the umpires.Because of the act, Arshdeep was fined 15% of his match fee and also received a demerit point from the ICC. Despite the tension, things settled later. Arshdeep apologised publicly after the match, and both players shook hands once the game ended. India went on to win comfortably by 96 runs and retained the trophy.

Suryakumar Yadav’s leadership approach

Talking about the incident later, Suryakumar downplayed the seriousness, saying such things can happen in the heat of the moment.“Heat of the moment mein kabhi kabhi ho jaata hai (It happens in the heat of the moment sometimes). At that time, you don’t fully understand what is happening. But later, I told paaji, that this is not how it happens. He then spoke to Mitchell, and it was a light moment,” he told PTI Videos.However, he made it clear that as a captain, he felt responsible for setting the right example on the field. That’s why he personally went to Mitchell to apologise, regardless of whether the act was intentional or not.“He took it in his stride. But it was very important for me to go and tell Daryl Mitchell myself, because as a leader, what example you set on the ground, that is also also very important,” he added.“So I went and told him (Mitchell) the same thing, if Arshdeep did it deliberately, then I am sorry. And even if he did not do it deliberately, I am sorry.”

Arshdeep’s apology

After the match, Arshdeep also addressed the incident and clarified that there was no intention behind the throw.“Just want to apologise to Mitchell. My throw reverse-swung and hit him so just wanted to say sorry to him for that. It was not intentional,” he had said.

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Live Nation ticketing worker regrets calling customers stupid, he says at antitrust trial

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Live Nation ticketing worker regrets calling customers stupid, he says at antitrust trial


NEW YORK — A Live Nation Entertainment ticketing employee testified Tuesday at the company’s antitrust trial that his private instant messages were “very immature and unacceptable” several years ago when he told a coworker some customers were “so stupid” and boasted of “robbing them blind, baby.”

Live Nation ticketing worker regrets calling customers stupid, he says at antitrust trial
Live Nation ticketing worker regrets calling customers stupid, he says at antitrust trial

Benjamin Baker, head of ticketing for Venue Nation, which includes the company’s amphitheaters, became a key witness in claims over 30 states are pressing against the concert promotion and ticketing giant after a Manhattan federal judge rejected Live Nation’s efforts to exclude his messages from the trial.

The Justice Department reached a settlement with Live Nation last week to open up some ticketing and promotional markets to more competition. Federal government lawyers insist the settlement will reduce ticket prices.

All but six of 39 states and the District of Columbia that joined the federal government’s lawsuit remain in the case. Many states insist the Justice Department fell far short of a goal of destroying a monopoly and forcing the breakup of Live Nation.

Jeffrey Kessler, a lawyer for the states, tried to use Baker’s communications to support arguments that Live Nation and its ticketing arm, Ticketmaster, were squelching competition and driving up prices for fans by assuming the behavioral patterns and arrogance of monopolists.

Live Nation has insisted that is not so, eliciting testimony from some executives to portray the company as battling aggressively but fairly with competitors in a high-risk, low-margin business where profits can fade quickly as they meet the demands of performers and venues that control the real power levers.

Kessler, his voice loud at times, confronted Baker with what he wrote to a fellow employee in early 2022 as they discussed Live Nation’s price for access to the VIP area of a show at the MidFlorida Credit Union Amphitheatre in Tampa.

Baker wrote that the prices are “outrageous,” that “these people are so stupid” and that “I almost feel bad taking advantage of them” before writing, “BAHAHAHAHAHA.”

Baker repeatedly expressed disappointment and regret at the messages he shared on Slack, the private messaging system his company uses. He said he was conveying surprise to a coworker about prices customers were willing to pay for amenities like lawn chairs, prime parking spots and access to VIP areas.

After Kessler read aloud Baker’s message that he almost felt bad taking advantage of the ticket-buying fans, Baker became emotional and his voice briefly broke and went soft as he explained: “I used very immature and regrettable language and that was not the language I was trying to convey.”

Confronted repeatedly, Baker was apologetic and said he had no excuse, but Kessler pushed back.

“You could have charged $25!” Kessler snapped after Baker said his “poor immature language” was merely “conveying my surprise that the market dictated fans were willing to pay $50 to park closer.”

Baker explained that he and his fellow employee were only talking about “optional” expenses that no ticketholder had to purchase. Kessler responded that for Live Nation, it was “also optional not to exploit every single dollar it can extract from these fans.”

Kessler’s comment drew a swift objection that Judge Arun Subramanian sustained.

Later, when Baker explained a rise in revenues from the sale of amenity services, Kessler read Baker’s troubled words back to him, saying: “What you were really doing was ‘robbing them blind, baby.’”

Baker, who has been promoted twice since the private chat, tried to shield his company from harm, saying his conversation with his coworker was “speaking for myself, not Live Nation as a whole.”

Kessler noted the comments were made as fans desperate to see concerts emerged from the coronavirus pandemic.

When Kessler asked Baker if he’d been demoted or lost pay from his company, he responded: “No sir, not at this time.”

Given a chance to question Baker, a Live Nation lawyer declined.

Last week, Live Nation tried to get the statements banned from the trial, saying they reflected “off-the-cuff banter, not policy” from two employees who are personal friends.

It also said that because the conversation was through private messages, company executives only learned of it this month and “will be looking into the matter promptly.”

This article was generated from an automated news agency feed without modifications to text.


Pakistan denies hospital strike in Afghanistan as death toll hits 400 | Taliban News

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Pakistan denies hospital strike in Afghanistan as death toll hits 400 | Taliban News


Pakistani minister ‘strongly refutes and rejects’ Afghan government’s accusation, saying his country only targets military sites.

Islamabad has denied the accusations of Afghanistan’s Taliban government that Pakistani forces hit a hospital treating drug users in the Afghan capital, Kabul, saying that its strikes in the neighbouring country have avoided civilian sites.

“We strongly refute and reject these allegations,” Pakistani Minister of Information Attaullah Tarar told Al Jazeera Arabic on Tuesday. “Pakistan has only targeted terrorist infrastructure and military locations.”

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On Monday, Hamdullah Fitrat, the deputy spokesman for Afghanistan’s Taliban government, said Pakistan’s military struck Kabul’s Omar Addiction Treatment Hospital at about 9pm local time (16:30 GMT).

The hospital is a 2,000-bed facility, and the raid destroyed large sections of the building, he wrote on X.

“Unfortunately, the death toll has so far reached 400, while around 250 others have been reported injured. Rescue teams are currently at the scene, working to control the fire and recover the remaining bodies of the victims,” he added.

In a series of posts on X, Afghan government spokesperson Zabihullah Mujahid denounced the assault as a “crime against humanity”.

He accused the Pakistani military of intentionally targeting civilian infrastructure to “perpetrate horrors”, later saying that those killed and injured in the strike were patients receiving treatment at the facility.

The latest wave of violence between the two countries began late last month, with repeated cross-border clashes and Pakistan’s air strikes inside Afghanistan.

Pakistan often accuses Afghanistan’s Taliban government of providing safe haven to the Pakistan Taliban, also known as Tehrik-i-Taliban Pakistan, as well as to outlawed Baloch separatist groups and other groups who frequently target security forces and civilians across Pakistan. Kabul denies these claims.

A United Nations Security Council resolution, adopted unanimously on Monday, did not name Pakistan, but condemned “in the strongest terms all terrorist activity including terrorist attacks” from within Afghanistan. The resolution also extended the UN political mission in Afghanistan, UNAMA, for three months.

On Sunday, the World Food Programme (WFP) said it had begun mobilising to provide “immediate lifesaving food” to more than 20,000 families that have been displaced in Afghanistan due to the conflict.


MCC intervenes in Salman Agha run-out storm, settles ‘spirit vs rules’ debate with clear verdict

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MCC intervenes in Salman Agha run-out storm, settles ‘spirit vs rules’ debate with clear verdict


The Marylebone Cricket Club (MCC), custodians of the Laws of Cricket, has weighed in on the controversial run-out of Salman Ali Agha during Pakistan’s second ODI against Bangladesh, bringing clarity to an incident that sparked a widespread ‘spirit vs rules’ debate.

Pakistan's Salman Agha (R) speaks with Bangladesh's captain Mehidy Hasan Miraz after his dismissal during the second ODI match (AFP)
Pakistan’s Salman Agha (R) speaks with Bangladesh’s captain Mehidy Hasan Miraz after his dismissal during the second ODI match (AFP)

The moment unfolded in the 39th over of Pakistan’s innings in Dhaka. Off a delivery from Mehidy Hasan Miraz, Mohammad Rizwan played the ball back towards the bowler. At the non-striker’s end, Agha had stepped out of his crease, looking for a quick single. In the process, he collided with Miraz while attempting to regain his ground, before momentarily engaging with the ball outside the crease.

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Sensing an opportunity, Miraz reacted swiftly, collected the ball and threw it onto the stumps, catching Agha short of his crease. The dismissal immediately triggered strong reactions, with the Pakistan camp questioning the spirit of the act, while Bangladesh stood firm on the legality of the decision.

Addressing the incident, MCC made it clear that the dismissal was fully within the Laws of the game.

“There is little that either umpire could have done differently. The non-striker was clearly out of his ground when the wicket was broken, and the ball was in play. That is out,” the statement read.

The club further explained that Agha’s actions may have worsened his position. It noted that the batter had left his ground while the ball remained live and was only beginning to recover when the collision occurred. MCC also pointed out that a batter attempting to pick up the ball without the fielding side’s consent risks a separate dismissal under Obstructing the field.

On the question of whether the ball should have been declared dead following the collision, MCC dismissed the notion. It clarified that collisions alone do not warrant a ‘dead ball’ call unless there is a serious injury or a clear cessation of play.

“If it did, that would incentivise players to seek out collisions when the situation was advantageous,” MCC stated, adding that Miraz’s actions clearly indicated that the ball was still considered in play.

However, MCC also acknowledged the grey area around sportsmanship. While upholding the legality of the dismissal, it noted that Miraz, as captain, had the option to withdraw the appeal if he felt it aligned better with the Spirit of Cricket.

“Agha clearly thought the ball was dead and was attempting to assist the fielding side after an unintentional collision,” the statement said, underlining that the Laws do permit such discretionary withdrawals.


Leela Palaces: Leela acquires luxury resort in Coorg, to open property later this year

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Leela Palaces: Leela acquires luxury resort in Coorg, to open property later this year


Leela acquires luxury resort in Coorg, to open property later this year

NEW DELHI: Leela Palaces, Hotels and Resorts Tuesday announced the acquisition of an ultra-luxury resort in Coorg. marking the brand’s entry into immersive, nature-led and wellness anchored hospitality. The 71 all-villa property, set within 76 acres of lush landscape near Madikeri, will open as The Leela Coorg Forest Sanctuary later this year.With the addition of Coorg, The Leela portfolio now comprises 15 properties with over 4,160 keys across 13 cities globally, including 7 owned, 7 managed and 1 franchised hotel. With 9 hotels in the pipeline, the brand is on track to expand to 24 properties over the next three years in high growth markets including Agra, Ayodhya, Bandhavgarh, Mumbai, Ranthambore, Sikkim, Srinagar and Jaisalmer.The Leela Palaces, Hotels and Resorts CEO Anuraag Bhatnagar said: “As we celebrate 40 Years of The Leela, this acquisition represents both a milestone and an evolution of the brand into nature-immersive, wellness-focused hospitality.We invest in destinations with cultural and ecological value, and Coorg strengthens our presence in South India while advancing our strategy of building a balanced portfolio across India’s most iconic landscapes. The Leela Coorg Forest Sanctuary offers a rare synthesis of wilderness, wellness and warmth of true Indian luxury for travellers who seek space, stillness and a genuine connection to nature.”The hotel chain says it’s Coorg “property benefits from significant land reserves that support thoughtful densification, with a first phase adding 19 keys to bring total inventory to 91.


Oscars 2026: Ludwig Goransson bags Best Original Score for ‘Sinners’

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Oscars 2026: Ludwig Goransson bags Best Original Score for ‘Sinners’



Oscars 2026: Ludwig Goransson bags Best Original Score for ‘Sinners’

Music composer Ludwig Goransson took home the Academy Award for Best Original Score at the 98th Academy Awards for his work on Sinners.

This marked his third Oscar after Oppenheimer and Black Panther. The win added another major accolade to his career as one of the most prominent film composers working in Hollywood. For Sinners, he created a score that blends orchestral composition with modern production techniques.

The music was designed to reflect the film’s tense and atmospheric narrative, using layered instrumentation and rhythmic motifs to support the emotional tone of key scenes. Critics noted that the score played an important role in shaping the film’s pacing and dramatic impact. Ludwig Goransson has built a strong reputation in the film and television industry for composing distinctive soundtracks.

He edged out fellow music composers like Alexandre Desplat, Jerskin Fendrix, Jonny Greenwood and Max Richter. Ludwig Goransson previously won the Academy Award for Best Original Score for Black Panther and received another Oscar for his work on Oppenheimer. His collaborations with director Ryan Coogler have been particularly notable in recent years. Beyond film, the music composer has also worked in television and music production, including collaborations with artists such as Childish Gambino. His win for Sinners further strengthened his standing as a leading contemporary composer in international cinema.

The 98th Academy Awards ceremony is underway at the Dolby Theatre in Hollywood, Los Angeles.

This year, the Oscars is being hosted by late-night host Conan O`Brien, who also emceed the 2025 show. The awards also see actor-producer Priyanka Chopra turn presenter at the star-studded event. Director Ryan Coogler`s Sinners is leading the awards race this season with 16 nods, including top honours of best picture, director, and actor.

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever


EXCLUSIVE | ‘If I could change my body, I would’: Sumit Nagal opens up on injuries and patient rebuilding | Tennis News

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EXCLUSIVE | ‘If I could change my body, I would’: Sumit Nagal opens up on injuries and patient rebuilding | Tennis News


EXCLUSIVE | 'If I could change my body, I would': Sumit Nagal opens up on injuries and patient rebuilding
India No. 1 Sumit Nagal in action during the ATP Challenger tournament in Pune.

New Delhi: Sumit Nagal had just stepped off the court after playing his first-round match at the ATP Challenger in Delhi. He went past Spain’s David Jorda Sanchis in straight sets and posed for selfies with a handful of kids who had patiently waited for the match to end. Having spent an hour and 28 minutes on the court, Nagal rushed to the locker room to perform his cool-down exercises and emerged looking fresher about an hour later.

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As Delhi’s winter chill gave way to the heat in the second week of February, Nagal spoke briefly with his coach Sascha Nensel, while seated near the pool at the Delhi Lawn Tennis Association (DLTA) complex.One of the topics, perhaps, would have been how he felt physically on the court. The shots, for the most part, looked good. Nagal struck 14 winners, converted two of three break points and was more accurate than his opponent: 20 unforced errors to Sanchis’s 38. There was a drop in intensity, he admitted, which made him sloppy.Go Beyond The Boundary with our YouTube channel. SUBSCRIBE NOW!The 28-year-old ended his 2025 season early and spent 5-6 weeks in the pre-season focusing on multiple things, but being physically fit, under the watchful eye of his fitness trainer Milos Galecic, was pivotal.“If I could change my body, I would do it like this,” he said with a snap of his fingers. “It’s really frustrating. It’s really annoying. It’s been really tough. I don’t know what to say, honestly,” added Nagal, to TimesofIndia.com, with irritation palpable in his words.

Sumit Nagal Serving in ATP Delhi Open

Sumit Nagal in action during the ATP Challenger in Delhi.

Nagal knows the frustration of injuries all too well. He underwent hip surgery in 2021 that kept him out for six months. A back injury saw him withdraw from a Davis Cup tie in 2024. Back niggles continued a year later. Even this year, a hip flexor tear forced him to retire mid-match at the ATP Challenger in Nonthaburi, Thailand.“Thanks for the bumpy ride, 2025,” he wrote on social media after a year of no singles titles and as he slipped from top-100 in rankings to World No. 277.“Getting injured in random tournaments, (to) random balls, no pattern. It’s very frustrating but I’ve also accepted it’s part of it. It is annoying also that it takes out my rhythm. I’m a small guy. I need to play in rhythm. It’s very tough for me to just stand on the court and go boom, boom, boom.“I need to play, play, play. My best years have been when I’ve been injury-free. I think the last 15-17 months have been very unfortunate, with 4-5 different injuries, but I’m trying my best. I am working as much as possible. Right now, there are no ifs, buts or maybe,” he continued.

Sumit Nagal

Sumit Nagal in action during the ATP Challenger in Delhi.

The ‘best years’ that Nagal refers to are performances like qualifying for the 2024 Australian Open and beating World No. 27 Alexander Bublik. He then clinched the ATP Challenger in Chennai. Then there was a three-setter against Holger Rune in Monte Carlo.Now, not surprisingly, he’s spending a little bit more time on fitness and rehab. The World No. 278 player has changed his diet, is eating less gluten and reminds himself to be patient as the body undergoes a change.Through these injuries, recoveries and continuous struggles, Nagal, who was once World No. 68 in July 2024, has matured.“I think the surgery was where I really matured. The reason was that I watched a lot of tennis in those months. I understood the patterns,” said Nagal.

If you struggle for a while, then it can affect your movements. When I had this hip surgery, I was struggling for a year to play without pain

Sumit Nagal

“Obviously, you also get a little bit older. You get more emotionally stable. Things play out just because you’ve been there for a while. You understand what is what. You have experience now. You are more calm, more mature. So I would say these things are what made the biggest difference,” he continued.“Injuries are very tough to say. If you struggle for a while, then it can affect your movements. When I had this hip surgery, I was struggling for a year to play without pain. “And then when I decided, ‘listen, I cannot really play like this. I need to figure things out’. But also, I lost almost one-and-a-half to two years because so many months you lose on trying to figure things out.

Sumit Nagal 1-1280

Sumit Nagal at the ATP Challenger tournament in Pune.

“When the surgery is done, it takes you almost 8-10 months to come back because a joint that is coming out of a surgical clinic, you also have to be patient,” he stressed.The fears for Nagal and his team came back in January. When it was confirmed that it wasn’t bad enough to warrant surgery, the Delhi-born worked overdrive on recovery and rehab alongside Yash Pandey, who has worked extensively with the India No. 1. The expected 5-6 weeks of rehab was shaved to three weeks with ‘no days off.’On the court, the struggles persist. After six tournaments — Australian Open wildcard playoff, Bengaluru Challenger, Nonthaburi Challenger, Chennai Challenger, Delhi Challenger, Pune Challenger — Nagal has not been able to stitch two wins in a row.None hurt more than the loss against Harold Mayot in Bengaluru. The Indian was up 6-2 in the third-set tiebreaker and had the finish line in sight after three hours. He had saved two match points and now had seven match points of his own. One after the other, they kept going away from him. One of the lost opportunities was when Nagal misjudged a ball, expecting it to go long, only to watch it take the line.Many weeks later, he has a pragmatic approach to the season and defeats so far.“I think the Bangalore loss was very unfortunate. It felt really bad for a bit. But then I also realised if I’m in this position 10 times, I’m probably going to win 9 times. So I said, ‘Man, you know, take it, can’t win all. You will have matches like this because I know that I have been on the other side also. And every tennis player goes through this. Sometimes you win from a really bad position and then you [also] lose from a really good position,” said Nagal.Sumit’s favourite part of the season begins now – on clay. He has returned to his place and academy in Germany, and the first tournament is in Zadar, Croatia, with the French Open a possibility. Now, he is focusing on the controllables – the backhand, the serve, the volley.“Other things I can’t really control. And if I can control these things, I will be a better player,” he said with the maturity of someone whose patient game now, unfortunately, matches his off-the-court injuries-induced patience.

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Exclusive: Milind Soman was rejected from Mira Nair`s Kama Sutra

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Exclusive: Milind Soman was rejected from Mira Nair`s Kama Sutra



Exclusive: Milind Soman was rejected from Mira Nair`s Kama Sutra

Milind Soman recently opened up about the challenges he has faced in his career, revealing how his looks have sometimes worked against him rather than in his favour. In an exclusive conversation with mid-day, the actor recalled being rejected from a major international project and spoke candidly about how perceptions around his appearance often shape the roles offered to him.

Milind Soman talks about getting rejected by Mira Nair

Soman shared that one of the most memorable rejections in his career came early on when he was considered for Kama Sutra: A Tale of Love by acclaimed filmmaker Mira Nair. “One thing that comes to my mind immediately is Mira Nair’s film Kamasutra. Many, many years ago,” he said.

According to Soman, the filmmaker had initially approached him for a significant role in the film. “She came to me to play the king in the film, which was eventually played by Naveen Andrews. And finally she said, ‘You don’t have that much experience as an actor. I really like the way you look, but I think I won’t cast you in this.’”

The actor admitted he was surprised by the decision at the time. “I was shocked, what am I supposed to do, you are the director, direct me. But yes, this does happen often.”

Reflecting on the incident, Soman explained that perceptions about his appearance have often influenced the kind of characters people imagine him playing. “Sometimes people feel that my looks kind of restrict me. Like the role I want to play is a farmer. But people look at me and say, ‘Oh, how will you look like a farmer?’”

He believes such assumptions limit creative possibilities in casting. “I can look like a farmer. I mean, what does a farmer look like? It’s the way you are, the character you create. But a lot of people are restricted by that perception that they have seen me walking on the ramp or on the cover of magazines and they can’t look beyond that.”

On facing stereotypes in getting meatier roles

Because of this image, the actor said he is frequently offered royal or authoritative characters. “I get a lot of people coming to me saying, ‘Play the king, play the king.’ And I say, ‘No, I don’t want to play the king. Show me something else.’” However, he admitted he once accepted such a role because it offered an interesting twist. “I did in Royals, I was the king. And I played that because he was dead already. And also he was gay. So it was interesting to explore that.”

Soman also recalled another moment when he deliberately chose a more unconventional character instead of a regal one in Paurashpur. “They came to me and said, ‘Play the king.’ And I said no. Then when they read the script to me, I saw another character and I asked, ‘Who is this guy?’ They said it’s the eunuch. I said, ‘I’ll play the eunuch.’”

He remembered the producers being surprised by his choice. “They said, ‘But we want you to play the king and you’re saying you’ll play the eunuch?’ I said, ‘Yeah, I think that’s much more interesting for me to play.’ And I had a great time playing that character.”

For Soman, choosing roles is about curiosity and exploration rather than conventional appeal. “If somebody offers me a role and I like the production or the story, I say, ‘Okay, but give me this. Can I do this character?’ Sometimes they agree, sometimes they don’t. And that’s fine.”

He added that in today’s entertainment landscape, where fame can be short-lived, he prefers to focus on roles that challenge him creatively rather than simply reinforcing a familiar image.