Sunday’s IPL clash between Punjab Kings and Lucknow Super Giants had more than just cricket to offer, it became an unexpected reunion that sent fans down memory lane. Bollywood stars Preity Zinta and Arjun Rampal, who shared the screen over two decades ago in the 2002 family drama Dil Hai Tumhaara, were spotted together in the stands, instantly turning heads both at the stadium and across social media. (Also read: Preity Zinta finally reacts to Salman Khan’s iconic 2014 ‘Zinta’s team won kya’ tweet after Punjab Kings victory )

Their reunion sparked a strong wave of nostalgia online, with fans quickly sharing “then and now” pictures and revisiting memories of their Dil Hai Tumhaara. One X user wrote, “Preity Zinta and Arjun Rampal celebrating after PBKS win. Dil Hai Tumhaara nostalgia.”

“A true Bollywood touch in the middle of high-voltage cricket vibes,” wrote one fan, while another added, “One of my fav movies, I used to love Preity and Arjun’s jodi back in the day.” Others couldn’t help but admire their bond, with a comment reading, “From the big screen to the stands, that’s real friendship and solid support.”

Compliments poured in as well, with many praising how gracefully the duo has aged. “Both aging like fine wine,” read one comment, while another said, “Zara Hayat Khan with Major Iqbal, who would’ve thought.” One more commented, “Man, they are gorgeous.”

The reunion had added context beyond the cricket ground. The two had recently crossed paths at a private screening of Dhurandhar: The Revenge, the blockbuster sequel directed by Aditya Dhar. Zinta was effusive in her praise afterward, calling every aspect of the film, from direction and performances to music and editing, “mindblowing.”

The film is directed by Rajkumar Santoshi and backed by Aamir Khan under his production banner. Reports suggest that Lahore 1947 draws inspiration from Asghar Wajahat’s acclaimed play Jis Lahore Nai Dekhya, O Jamyai Nai, which narrates the emotional story of a Hindu family left behind in Lahore during the Partition era.

The teaser further calls it, patiyon ka universe (pativerse) and shows Ayushmann romancing Sara Ali Khan, Wamiqa Gabbi and Rakul Preet Singh. The video also shows him navigating the chaos and ending up in a dangerous situation with all four of them tied together. Sharing the teaser, the makers captioned, “Samay sab kuch badal deta hai…par patiyon ki fitrat uske bhi bas mein nahi 😬 Aa rahe hain Prajapati Pandey…is baar apni Patni aur Woh Do ke saath! (Time changes everything…but even it can’t control a husband’s nature. Prajapati Pandey is coming…this time with his wife and the other woman).”

Fans expressed excitement for the movie. One of the comments read, “Bollywood needed this kind of fresh chaos again.” Another commented, “Mazza aane waala hai (It’s going to be fun).” Another wrote, “Perfect sequel.” Another fan commented, “This track looks fun.” While some even expressed disappointment and wrote, “doesn’t even look remotely funny.” Another commented, “This looks like Kis Kisko Pyaar Karoon 3.”

Presented by Gulshan Kumar, B R Chopra and T-Series, Pati Patni Aur Woh Do is directed by Mudassar Aziz, produced by Bhushan Kumar, Renu Ravi Chopra, and Krishan Kumar and creatively produced by Juno Chopra. The romantic comedy drama is all set to hit the big screen on 15th May 2026.

Director Jeethu Joseph, known for gripping narratives, addresses criticism of his films’ “serial-level” technical quality. He explains his preference for realism in lighting and art direction, aiming for authenticity over current trends. Joseph also points to targeted negative online campaigns influencing audience perception, while confirming ‘Drishyam 3’ will explore a different storytelling path.

Mollywood director Jeethu Joseph is undeniably a great storyteller and his films from ‘Memories’ to ‘Drishyam’ prove he has the knack for writing gripping screenplays. However, Jeethu has faced criticism regarding execution, with most audiences complaining about the technical quality which they describe as “serial-level” making. Jeethu Joseph has now addressed ongoing criticism surrounding the technical style of his films.

Jeethu Joseph on criticism around technical style

Over the years, Jeethu Joseph’s films have sparked discussions regarding their visual presentation. Some viewers have questioned the technical polish, often comparing it to television-style execution. Despite this criticism, the director has maintained a consistent approach rooted in his creative preferences. In a recent interaction with The New Indian Express, the filmmaker shared his perspective on these reactions. The filmmaker shared, “In most films today, you can see a kind of colourful lighting style. When it comes to my films, that difference is not due to any fault of my team. It is because I prefer things to look more realistic. Also, there are other reasons behind some of the criticism, and I have figured them out.”“I have personally seen posts targeting certain individuals. There are some people who consistently write negative comments for every film. Others get influenced after repeatedly seeing such posts and end up criticising as well. There are even people who target a film right after its first show. In some cases, I consciously control aspects like art direction because I want things to feel realistic,” said Jeethu Joseph.

Jeethu Joseph on realism vs visual style

The director emphasised his inclination towards a grounded visual tone rather than a stylised presentation. The ‘Drishyam 3’ director explained that choices related to lighting and production design are deliberate, not accidental. His approach prioritizes authentic storytelling, even if it differs from current industry trends.

‘Drishyam 3’ story direction

The upcoming film ‘Drishyam 3’ will revisit the character of Georgekutty after a gap of several years. As Jeethu mentioned in previous interviews, unlike earlier parts, the third installment will take a slightly different storytelling route and won’t be a thriller-per-se like the second part. The movie will release on May 21.On the other hand, Jeethu Joseph’s previous two films ‘Mirage’ and ‘Valathu Vashathe Kallan,’ failed to impress the audiences.

Television actor Dipika Kakar has opened up about the difficult reality of living with an ongoing health condition, sharing that regular medical monitoring has now become a permanent part of her routine. In a recent interaction, the actor revealed that she undergoes monthly MRI scans as doctors continue to closely track her condition.

Dipika Kakar got candid about the diagnosis

Dipika spoke candidly about how life has changed since her diagnosis, explaining that these frequent hospital visits are no longer optional but necessary. While she did not dwell extensively on the specifics of her illness, she made it clear that staying consistent with treatment and check-ups is crucial for her well-being. The actor acknowledged that adapting to this routine hasn’t been easy, but she is learning to accept it as part of her life.

Ulysses (Bob Odenkirk) arrives in Normal, Minnesota, to serve as interim sheriff after the sudden death of the previous sheriff. At first glance, Normal has all the trappings of a wholesome, small American town with a close-knit community that is thriving while its neighbours have faded away. It’s a welcome assignment for Ulysses, who is happy to spend eight weeks stamping paperwork until he, staying true to his name, moves on to the next place. He’s in desperate need of peace because he carries baggage – an ongoing divorce compounded by the guilt of once disbelieving and dismissing a woman’s complaint of sexual assault.

Though the mayor (Henry Winkler), the two deputy officers (Ryan Allen and Bill MacLellan) and a bartender (Lena Headey) warmly embrace him, Ulysses senses that things are not so normal in the town. A haberdashery shop has a police scanner, a diner has several loaded guns hung on the walls for decoration, and a humble hardware store has a closet secured with several locks.

Jasmine Sandlas is currently basking in the success of Aditya Dhar’s Dhurandhar, as her songs have turned into blockbusters. However, her journey navigating fame has not been easy. From battling alcoholism to dealing with unresolved childhood trauma, the singer shared how life’s challenges shaped her. She also credited her family’s unwavering support, particularly her mother, for helping her navigate her darkest moments.

Jasmine Sandlas on alcoholism

During a conversation on Ranveer Allahbadia’s podcast, Jasmine opened up about her childhood struggles, due to which she resorted to alcoholism and had a tough time dealing with it. She said, “I struggled a lot. I think growing up, I have gone through certain phases in my life, figuring out things for myself in a journey. That was not comfortable. Life happens. It is a lot for the parents, but also for the children. We need guidance and nourishment… Why are parents so tough on their children?”