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Prabhsimran, Iyer lead PBKS to a big win

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Prabhsimran, Iyer lead PBKS to a big win


Mumbai: Three weeks into the tournament, a few teams have raced away from the others, while those languishing at the bottom are struggling to pick themselves up. Entering the Thursday night clash, Punjab Kings arrived as one of the most dominant teams, while Mumbai Indians carried all the worries.

Punjab Kings bowler Arshdeep Singh was named Player of the Match. (PTI)
Punjab Kings bowler Arshdeep Singh was named Player of the Match. (PTI)

And that showed in the results too. PBKS chased down MI’s below par 196-run target in 16.3 overs for a 7-wicket win. Prabhsimran Singh led the way with an unbeaten 80 off 39 balls. MI’s Quinton de Kock’s 112 not out off 60 balls ended up in a lost cause.

In this season’s high-scoring IPL, 200 run totals have looked inadequate. Certainly at the Wankhede, you required those extra 20 runs as a cushion. Those runs did not come for MI. Their pace ace Jasprit Bumrah is still searching for his first wicket, five matches into the season.

MI needed wickets in the Powerplay. Mystery spinner Allah Gazanfar provided two crucial breakthroughs. Trying to capitalise, Hardik Pandya gave Bumrah an extra over, to see if he could bounce Shreyas Iyer out. But Iyer’s back foot troubles are a thing of the past. He proved that all over again, finishing with 68 (35b).

Despite some tidy early overs, Bumrah couldn’t get among the wickets. To make matters worse, he dropped Prabhsimran Singh, on 12, in the fourth over from Hardik. Punjab had the rampaging Prabhsimran at one end and the assured presence of Iyer at the other. Last year’s runners-up never looked in trouble during the chase. The 139-run third-wicket stand between Prabhsimran and Iyer, off 67 balls silenced the home crowd.

MI did not have wicket-takers or a bowling attack with meticulous defensive skills. They didn’t even have an efficient sixth bowling option in the Impact Player era, summing up their lackluster campaign.

The shining knight was De Kock with the bat. One can’t keep a proven match-winner out for too long. Among the select few active Mumbai Indians’ players to have tasted success, De Kock was forced to warm the benches for four matches. Rohit Sharma’s untimely hamstring injury brought him right back in front and centre, even if that meant two left-handers starting together.

Ryan Rickleton fell early to Arshdeep Singh’s swing. The first five overs were dominated by Punjab Kings. In a game of fine margins, Yuzvendra Chahal dropped a sitter at short-fine leg to a fine piece of bowling by Marco Jansen. Naman Dhir’s attempted scoop did not cost him his wicket. Dhir would make Chahal pay. Introduced in the first over after a quiet Powerplay (47-2), Dhir tore into Chahal for a 19-run over.

Chahal brought out his brave game face and kept giving the ball air. The De Kock-Dhir pair took a heavy toll, making it a forgettable outing for Chahal (3-0-45-0).

De Kock was in his element. Looking in complete control, he frequently cut the pacers between point and third man and used his back foot game to hit maximums on the leg side. To MI’s dismay, no other batter barring Dhir 50 (31b) was able to provide support. More importantly, none of the finishers were able to connect. That left the home side’s death overs’ scoring rate, the same as the rest of the innings, around 10 rph.

The 19th over bowled by Arshdeep was as impactful as his first three. He cleaned up the dangerous Sherfane Rutherford (1) in the bargain. Arshdeep’s figures for the day (4-0-22-3) on a typical batting-friendly Mumbai surface stood out.


Alia Bhatt can't stop gushing over Ranbir Kapoor as he features in TIME's list of 100 most influential people

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Alia Bhatt can't stop gushing over Ranbir Kapoor as he features in TIME's list of 100 most influential people


Actor Ranbir Kapoor is basking in a global spotlight, having secured a spot on TIME’s list of the world’s 100 most influential people and being the only Indian actor to feature in the list this year. His wife, actor Alia Bhatt couldn’t keep calm and went all in with a heartfelt, love-soaked note for her husband.

Ranbir Kapoor and Alia Bhatt welcomed daughter Raha in 2022.
Ranbir Kapoor and Alia Bhatt welcomed daughter Raha in 2022.

Alia Bhatt gushes over Ranbir

On Thursday, Alia slipped into full cheerleader mode and took to social media to share a heartfelt and adorably proud note for her husband.

Alia took to Instagram Stories and shared her husband Ranbir Kapoor‘s picture from the TIME 100 Most Influential People list. And just like his fans, she couldn’t stop swooning over him.

She shared a screenshot of the post announcing the same on Instagram story and wrote, “Looking good baby” followed by an ice cream emoji.

On Wednesday, Time magazine unveiled its annual list of the 100 most influential people in the world. The TIME 100, as it is called, has for years been a good benchmark of any popular figure’s global popularity and impact. This year, few Indians have made the cut, including Bollywood star Ranbir Kapoor, the only name from the world’s largest film industry. He is joined in the list by celebrity chef Vikas Khanna.

TIME’s profile of Ranbir Kapoor was written by his fellow Bollywood star, Ayushmann Khurrana. “There are actors who chase legacy and there are actors who become one through their craft. Ranbir Kapoor is the latter,” Ayushmann wrote. In his write-up, Ayushmann emphasised that Ranbir has moved beyond the chatter about box-office and weekend collections in Bollywood.

The list includes global leaders such as US President Donald Trump, Pope Leo XIV, US Secretary of State Marco Rubio, Prime Minister of Canada Mark Carney, Chinese President Xi Jinping, Israeli Prime Minister Benjamin Netanyahu and commander of the 2026 Artemis II Reid Wiseman. TIME emphasized that honorees on the list are “changing culture in unprecedented ways.”

Alia Bhatt’s next project

Alia will soon be seen in Sanjay Leela Bhansali’s Love and War. Apart from Alia, the film stars Ranbir Kapoor and Vicky Kaushal. It marks Alia’s second collaboration with Bhansali after 2022’s Gangubai Kathiawadi, for which she won a National Award for Best Actress.

Alia was last seen in Jigra (2024). She also has spy thriller Alpha in the pipeline. The film is slated for release on July 10. Alpha was originally slated for release in Christmas 2025, but was moved to 17 April 2026. It is believed that the film has been pushed again to avoid a clash with Salman Khan’s Maatrubhumi. The film was set to release in theatres on April 17.


IPL 2026: Rohit Sharma, Suryakumar Yadav’s priceless reactions to Shreyas Iyer stunner – Watch | Cricket News

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IPL 2026: Rohit Sharma, Suryakumar Yadav’s priceless reactions to Shreyas Iyer stunner – Watch | Cricket News


IPL 2026: Rohit Sharma, Suryakumar Yadav's priceless reactions to Shreyas Iyer stunner - Watch
Rohit Sharma, Suryakumar Yadav’s priceless reactions to Shreyas Iyer stunner

NEW DELHI: Mumbai Indians batters Rohit Sharma and Suryakumar Yadav produced priceless reactions that quickly went viral after Shreyas Iyer played a pivotal part in pulling off a stunning catch during the IPL 2026 clash between Mumbai Indians and Punjab Kings at the Wankhede Stadium on Thursday.The moment unfolded in the 18th over when Hardik Pandya looked to shift gears. Facing Marco Jansen, Hardik attempted a big hit but failed to get proper timing, sending the ball high towards long-on. What followed was a piece of fielding brilliance that left everyone stunned.Iyer sprinted swiftly to his left, tracking the ball near the boundary rope with incredible awareness. Realising he was about to lose balance and step over the boundary, he improvised mid-air, grabbing the ball and, while still airborne, lobbing it back into play towards Xavier Bartlett.

Watch

Jitesh Sharma reveals RCB’s batting mindset

Bartlett completed the catch calmly, but it was Iyer’s athleticism and presence of mind that made it possible.As soon as the catch was completed, cameras cut to the Mumbai dugout. Rohit, sidelined due to injury, was seen with his hands on his head in disbelief. Suryakumar, too, looked equally stunned, his expression reflecting the sheer improbability of what had just unfolded. Watch:Their reactions perfectly captured the magnitude of the moment and quickly spread across social media.The dismissal proved to be a turning point. Hardik’s wicket for 14 halted Mumbai’s late charge when they were eyeing a total beyond 200. Despite that setback, MI still managed 195/6, thanks largely to a sensational unbeaten 112 from Quinton de Kock and a well-compiled 50 from Naman Dhir.Yet, even in an innings filled with big runs, it was Iyer’s extraordinary effort on the boundary that stole the spotlight. In a format where matches can turn in moments, this was a reminder of how a single act of brilliance in the field can shift momentum instantly and leave even the biggest stars in disbelief.Prabhsimran Singh and Shreyas Iyer struck impressive half-centuries as Punjab Kings extended their winning streak, cruising to a dominant seven-wicket victory over Mumbai Indians, who slumped to their fourth straight defeat in the Indian Premier League on Thursday.


Police arrest main accused and 2 others in Jana Nayagan leak; how freelance assistant editor stole Vijay's film

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Police arrest main accused and 2 others in Jana Nayagan leak; how freelance assistant editor stole Vijay's film


Actor and TVK chief Vijay’s unreleased final film, Jana Nayagan, was leaked online on April 9. The film was leaked online in HD print via numerous clips. Even as fingers were pointed at the film’s editor, Pradeep, as the leaked clips contained an edit watermark, the police initially made six arrests in the case. On Thursday, three new arrests were made, including the main accused, a freelance assistant editor for another film. (Also Read: Vignesh Shivan compares Vijay’s Jana Nayagan leak to death: ‘My condolences’)

Vijay in a still from H Vinoth's Jana Nayagan which was leaked online.
Vijay in a still from H Vinoth’s Jana Nayagan which was leaked online.

How freelance assistant editor stole Jana Nayagan footage

A press note by the Tamil Nadu Cyber Crime Wing is circulating online. It states that apart from the six arrests, they have made three new arrests in the case on Wednesday, April 15. Three key arrests have been made, with the main accused being a freelance assistant editor for another movie.

The freelance assistant editor was supposedly working on another film but gained unauthorised access to Jana Nayagan footage at the editing studio. The police believe that he copied the film’s footage, processed data into a complete version, and shared it with others. This soon led to being shared online and spreading via piracy networks. The three accused were produced before the court and remanded to judicial custody.

This comes days after South Indian Film Editors Association president Gopi and Film Employees Federation of South India (FEFSI) president RK Selvamani spoke to the press and addressed allegations regarding the leak. Gopi strongly denied any editor’s involvement in the leak and claimed that ‘editors will never do this kind of work’. Selvamani said, “Piracy is not new and has been an ongoing issue in the film industry, and steps are being taken to create systems to control such leaks and avoid similar incidents in the future.”

Interim injunction against illegal uploading of film

News of these arrests comes even as the Madras High Court granted an interim injunction restraining internet service providers and cable operators from streaming or broadcasting any unauthorised versions of Jana Nayagan. The HC issued a temporary order against the circulation of the unlawful, uncertified copy of the Vijay film online or elsewhere.

Advocate Vijayan Subramanian, who’s representing the production house, KVN Productions, announced on X (formerly Twitter): “The Madras High Court has granted an ordered of interim injunction restraining illegal uploading and telecasting of the film #Jananayagan through internet service providers and cable tv network.” When Jana Nayagan was leaked, numerous clips were circulated on X, Instagram, and YouTube, along with links to the completed film.

H Vinoth’s Jana Nayagan, starring Vijay, Mamitha Baiju, Bobby Deol and Pooja Hegde, was supposed to be released in theatres in January for Pongal. It was postponed due to the CBFC’s delayed certification.


Rescuers to use air cushions in latest effort to save stranded whale

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Rescuers to use air cushions in latest effort to save stranded whale



“Timmy” has been stranded in the Baltic Sea for weeks despite several attempts to free the ailing animal.


IPL 2026: PBKS score 61/2 at the end of powerplay while chasing MI’s 195

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IPL 2026: PBKS score 61/2 at the end of powerplay while chasing MI’s 195



IPL 2026: PBKS score 61/2 at the end of powerplay while chasing MI’s 195

The Punjab Kings (PBKS) got off to a solid start, scoring 61 runs for the loss of two wickets at the end of the powerplay while chasing the Mumbai Indians’ total of 195. The visitors lost the wicket of Priyansh Arya early but have since settled well into the chase.

PBKS openers Prabhsimran Singh and Priyansh Arya began aggressively, taking on the MI bowlers from the outset. Deepak Chahar’s first over proved expensive, conceding 21 runs as PBKS found their rhythm straight away.

Arya departed soon after, dismissed by AM Ghazanfar. Australian batter Cooper Connolly was also sent back by the Afghan spinner, who impressed with two early wickets. Prabhsimran Singh was then dropped by Jasprit Bumrah off Hardik Pandya’s bowling, giving PBKS a crucial reprieve.

PBKS scored 61 runs in six overs and will fancy their chances of chasing down the target, given their recent form. Captain Shreyas Iyer remains the key wicket for the Mumbai Indians and could play a decisive role in the outcome of the match.

Jasprit Bumrah will be keen to make an impact for the hosts, with his remaining overs likely to be crucial to MI’s chances. The Indian pacer is still searching for his first wicket of the season.

Earlier, the Mumbai Indians posted 195 for 6 in their 20 overs against the Punjab Kings. Quinton de Kock starred for the hosts with a शानदार knock of 112 runs off just 60 balls.

De Kock, who replaced Rohit Sharma in the MI line-up, showcased his class with a blistering innings that powered MI to a competitive total.

For PBKS, Arshdeep Singh was the standout performer with the ball, finishing with figures of 3/22 in his four overs. He was supported by Shashank Singh on what was otherwise a challenging day for the Punjab bowlers.

Confirmed Playing XI for both teams:

Punjab Kings (Playing XI): Prabhsimran Singh(w), Priyansh Arya, Shreyas Iyer(c), Cooper Connolly, Shashank Singh, Marcus Stoinis, Marco Jansen, Xavier Bartlett, Vijaykumar Vyshak, Arshdeep Singh, Yuzvendra Chahal

Mumbai Indians (Playing XI): Quinton de Kock(w), Ryan Rickelton, Tilak Varma, Suryakumar Yadav, Hardik Pandya(c), Sherfane Rutherford, Naman Dhir, Mayank Rawat, Shardul Thakur, Deepak Chahar, Jasprit Bumrah


Kangana Ranaut says Karan Johar is ‘not a bad person’

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Kangana Ranaut says Karan Johar is ‘not a bad person’


Kangana Ranaut says Karan Johar is ‘not a bad person’, revisits Koffee With Karan controversial episode: 'Why should I pretend?'
Nearly a decade after her explosive appearance on Koffee With Karan, Kangana Ranaut has revisited the moment that stunned Karan Johar and went on to spark one of Bollywood’s most enduring debates. In a recent conversation, Kangana was asked whether her now-iconic remarks—including calling Karan the “flagbearer of nepotism”—were scripted or spontaneous. While her comments back then led to a frosty equation with Karan Johar, Kangana now says she does not view him negatively.

Nearly a decade after her explosive appearance on Koffee With Karan, Kangana Ranaut has revisited the moment that stunned Karan Johar and went on to spark one of Bollywood’s most enduring debates.

‘There was a time I wanted to fit in’

In a recent conversation with ANI, Kangana was asked whether her now-iconic remarks—including calling Karan the “flagbearer of nepotism”—were scripted or spontaneous.“I think, listen. Kya hota hai na jaise maine aapko kaha ki ek waqt hota hai jab aapko lagta hai ki you want to fit in. Aur ek waqt hai when you are standing out. You are already standing out, why do you want to fit in then? People who kept dismissing me. Aapne woh show toh dekha par lekin usse pahle show mein unhone mere muh pe, mere kapdo ka mazaak udaya, meri English ka mazaak udaya. Maine unke saath ek film bhi ki thi jisme jo kahani thi usme mujhe ekdum hi alag side mein waala role de diya,” she said.

‘They would wipe me from the face of the earth’

Kangana explained that her response on the show was shaped by repeated experiences of being sidelined and targeted.“Toh ek tarah se jo jo humare experiences hote hai, hum sochte hai ki, ek hadh tak aapko lagta hai ki humein sabke saath, mil jul kar chalna chaiye. Lekin jab woh ek hi tarfa humesha hota hai, aap ki prayaas jab hota hai, toh fir usme ek time aata hai ki mera ghar ye toh chala nahi rahe. Inki wajah se main successful nahi hu. Inka bas agar chale and I can tell that, they will wipe me from the face of the earth, totally, you should not exist only. That kind of PR, that kind of maligning, those kind of cases they put on me, those kind of ganging up happened. So when that kind of situation happened toh main kyu pretend karu? Why should I pretend and make them look good?” she added.

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‘I don’t think Karan Johar is a bad person’

While her comments back then led to a frosty equation with Karan Johar, Kangana now says she does not view him negatively.“I don’t think Karan Johar is a bad person. You know, I think he’s very proudly just superficial, flaky, flashy. He likes that. He’s very proud of that, and I think he has an amazing sense of humour. So I don’t think I have a problem with Karan Johar as such,” she said.

A moment that sparked a larger debate

The 2017 episode saw Kangana famously call Karan Johar the “movie mafia” and a “stereotypical villain” in her journey, igniting a larger conversation around nepotism and insiders vs outsiders in Bollywood—one that continues to resonate.Interestingly, Kangana and Karan had earlier collaborated on Ungli, directed by Rensil D’Silva and produced under Dharma Productions by Hiroo Yash Johar and Karan Johar.The film featured an ensemble cast including Emraan Hashmi, Randeep Hooda, Neha Dhupia, Angad Bedi, Neil Bhoopalam and Sanjay Dutt, with Mahesh Manjrekar in a negative role.


Canva attempts to stitch together a fragmented mess of modern workflows| Business News

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Canva attempts to stitch together a fragmented mess of modern workflows| Business News


In an effort to define the leap that Canva AI 2.0 represents, co-founder and CEO Melanie Perkins takes us down the memory lane. The year 2011, to be precise, and something called the Canvas Chef. An early prototype of artificial intelligence (AI), essentially as a simple prompt box to design a brochure or a phonebook. “We love to make complex things simple, and just like a decade ago, we think there is always a better way,” she tells us. As a creative platform that now harbours ambitions of evolving into a full-fledged productivity suite, a dual approach that intersects new features within an architecture layer and intelligent workflows, underlines the strategy.

The option to schedule tasks is a part of the Canva AI 2.0 proposition. (Official photo)
The option to schedule tasks is a part of the Canva AI 2.0 proposition. (Official photo)

The Canva AI 2.0 update, which intends to fill the void between generation and execution, adds conversational design capabilities, iterative agentic editing within an existing design or visual element, memory based functionality, as well as layered object intelligence for precise elements. Canva is also introducing Code 2.0 that success the initial Canva Code generation from a year ago. Also new are connectors with a number of web apps and services including Google’s Gmail, Drive and Calendar, Microsoft 365 and Outlook, Notion, Slack, Zoom and Hubspot. As well as a web research module.

The company says the research preview of Canva AI 2.0 is rolling out now, and will progressively expand to more users in the coming weeks.

Canva is particularly confident about the Agentic Orchestration, which Perkins says will make the platform into a “true creative partner” and “with tools to turn ideas into complete outcomes”. A single prompt can be used to generate not just multiple elements or types of content, but also help with tweaks later. It understands a user’s intent, helps select the right tools, and leverages them to create the content a user has asked.

This also ties in with the Memory Library, will should be particularly relevant for enterprise customers and teams workflows, where Canva AI models learn from designs as they are made and can reference a certain set of styles and preferences. Called Living Memory, personalisation will be a continuous process.

“AI can learn from you and your designs and adapting to your style and preferences. It will get smarter and more helpful every time you use it. You can personalise based on all of your existing signs, and can build your memory library over time,” explains Perkins. This new infrastructure layer works across the entire visual suite, including presentations, documents, social posts and other content.

Connectors will be useful for not just business and teams users, but also individuals, because it adds the option to collect context from other apps that one may have connected with Canva. For instance, if connected with the Google Calendar, it can be used to summon details of an upcoming meeting scheduled and create a presentation based on the agenda points.

“Today, most people have their work context scattered across dozens of different apps. With connecters, everything is on one place,” says Cameron Adams, co-founder and Chief Product Officer at Canva.

Last month, Canva introduced Magic Layers as a public beta, which converted static images including those generated by AI tools, into fully editable and layered designs. Adams says that in the few weeks since, Magic Layer has already been used 9 million times by subscribers. This ties in with the Canva Code 2.0 update. This had an initial compatibility limited to .png and .jpg file formats, the support for HTML files arrives with the new update.

“You can make interactive designs even more powerful by adding a form to collect data that flows directly into the data layer of Canva Sheets,” Adams points out.

A context of momentum and relevance

The announcements at the company’s Canva Create keynote come on the back of strong momentum, which now sees Canva with more than 265 million monthly active users of which more than 31 million are paid subscribers (this number is up from 24 million, at this time last year), reported $4 billion in annualised revenue and more than $500 million of that pie coming from the growing B2B business.

“We also are the third most used AI product in the world in terms of user volume according to a16z, and when it comes to how much customers are spending on AI tools, Canva is seeing the fastest growth of any major software company. Our AI products have been used over 27 billion times,” notes Cliff Obrecht, co-founder and Chief Operations Officer at Canva.

American venture capital firm Andreessen Horowitz (a16z) notes that Canva sits behind only OpenAI’s ChatGPT and Google’s Gemini in global AI usage hierarchy, and ahead of Deepseek, Grok and Claude. Data by a16z and market research and analytics firm YipitData suggests that in terms of customer spends year on year, Canva with a 101% uptick leads globally, ahead of Replit (78%), Vercel (72%), Hubspot (63%), Box (60%) and Figma (47%).

Obrecht describes Canva’s transition as one from a “design platform with AI tools to an AI platform with design tools”. It also means the platform is now competing with a rather wide range of tech companies and platforms in the process, and not just tools that find relevance with design and creative workflows. A big step was the Creative OS direction, announced late last year.

The fragmented competition? Design template platforms including Vecteezy and Free Vector, font sources such as Font Space and FontFreak, stock photography libraries including Shutterstock and Getty Images, design programs that encompass Microsoft 365 suite as well as Adobe Illustrator, editing software including Photoshop and Seashore, publishing services such as Shutterfly and FedEx Office, and content management platforms including Adobe Creative Cloud, Microsoft OneDrive, Gmail as well as Box.

“Over the first decade of Canva’s existence, we took the full fragmented ecosystem and brought it together into one perform and made it accessible to the world. And we’re doing that exact same thing again,” says Perkins. “The process of creation today is fragmented across lots of different tools, workflows and it’s becoming more disparate. We see this as a huge opportunity to bring that all into one platform and make it accessible to the world again.”


IPL 2026 Points Table after Match 24: Punjab Kings rise to No.1 as Mumbai Indians struggle at ninth | Cricket News

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IPL 2026 Points Table after Match 24: Punjab Kings rise to No.1 as Mumbai Indians struggle at ninth | Cricket News


IPL 2026 Points Table after Match 24: Punjab Kings rise to No.1 as Mumbai Indians struggle at ninth
Punjab Kings and Mumbai Indians players after the match at Wankhede stadium. (Pic credit: IPL)

NEW DELHI: Punjab Kings continued their dominant run in the ongoing IPL 2026 season, dismantling Mumbai Indians by seven wickets to climb to the top of the points table on Thursday. The victory ensured Punjab remain the only unbeaten side in the tournament so far, extending their strong start to nine points from five matches.Go Beyond The Boundary with our YouTube channel. SUBSCRIBE NOW!The win pushed PBKS ahead of defending champions Royal Challengers Bengaluru and Rajasthan Royals, who are now second and third on the table with eight points each. RCB, led by Rajat Patidar, hold a slight edge on net run rate (+1.503), the best in the season so far, while RR trail closely behind. The top three remain tightly packed, separated by only a point, setting up an intense race for the top spots in the coming fixtures.At the other end of the table, Mumbai Indians’ struggles deepened with their fourth defeat in five matches. The five-time champions are languishing in ninth place in the ten-team standings with just two points, sitting just above Kolkata Knight Riders, who remain winless with one point from a rain-affected fixture against PBKS earlier in the season.The mid-table battle remains equally congested, with Sunrisers Hyderabad, Delhi Capitals, Gujarat Titans, Lucknow Super Giants and Chennai Super Kings all locked on four points each. Sunrisers Hyderabad currently occupy fourth spot on net run rate, with Delhi Capitals, Gujarat Titans, Lucknow Super Giants and Chennai Super Kings following in close succession, underlining how little separates the middle order of the table at this stage of the competition.With Punjab in imperious form and several teams tightly bunched behind them, the IPL 2026 standings remain finely poised as the tournament heads into a crucial phase.

Latest IPL 2026 Points Table after MI vs PBKS match

Position Teams M W L NR Points NRR
1 PBKS 5 4 0 1 9 +1.067
2 RCB 5 4 1 0 8 +1.503
3 RR 5 4 1 0 8 +0.889
4 SRH 5 2 3 0 4 +0.576
5 DC 4 2 2 0 4 +0.322
6 GT 4 2 2 0 4 -0.029
7 LSG 5 2 3 0 4 -0.804
8 CSK 5 2 3 0 4 -0.846
9 MI 5 1 4 0 2 -1.076
10 KKR 5 0 4 1 1 -1.383


Dhurandhar 2: Bombay HC asks Aditya Dhar, Santosh Kumar to resolve dispute

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Dhurandhar 2: Bombay HC asks Aditya Dhar, Santosh Kumar to resolve dispute



Dhurandhar 2: Bombay HC asks Aditya Dhar, Santosh Kumar to resolve dispute

The Bombay High Court, on Thursday, heard the defamation case filed by Aditya Dhar, the writer-director of Dhurandhar 2: The Revenge, against writer‑filmmaker Santosh Kumar. The latter had earlier alleged that Dhar had copied the script from his work. The court urged both parties to resolve the matter, noting that it should not be allowed to spiral.

Bombay HC tells Aditya and Santosh to resolve the matter

Justice Arif Doctor observed, “A matter like this should be resolved. It doesn’t need to escalate into a fight for defamation.” The Court also pointed out that if Kumar believed his script had been copied, he was free to pursue the claim through an appropriate civil lawsuit instead of simply airing his claims before the media.

“You have a civil claim; make it. They will defend it. In that you may seek a settlement. If there has to be a fight, there will be a fight. But it does not need to escalate to this level,” the judge told. Advocate Pravin Faldessai, who appeared for Kumar, clarified that his client’s grievance was restricted to asserting authorship over the story.

“I don’t really enjoy fighting a suit before any court. Because my only claim is that the story is written by me, it’s my original work, and somebody has to make that claim,” he said.

The Court assured Kumar that nobody can stop him from making that claim, while adding that there was scope to de-escalate the dispute and work out a settlement. Justice Doctor said, “My firm view is that this matter can only be de‑escalated and worked out.”

Meanwhile, Senior Advocate Birendra Saraf, who appeared for Dhar, submitted that if Kumar wished to continue asserting his claim to the script, he must do so through proper legal proceedings and not keep repeating allegations in the media. Faldessai responded by stating that he would have a word with Kumar on this proposal.

The judge went on to say, “(In the next hearing), I will pass an order saying that you (Kumar) will refrain from using such words. And you file your claim, keeping all rights and contentions open, whatever case you have against them. This entire proceeding comes to an end. Otherwise, a defamation suit will lie pending, for what purpose?” before adjourning the case till April 30.

About the case

For the unversed, Aditya Dhar sued Santosh Kumar for defamation after Kumar publicly claimed Dhar`s film, Dhurandhar: The Revenge, was copied from his registered script, D Saheb. Dhar sent a legal notice to Kumar denying plagiarism and cautioning him; however, Kumar did not respond. Dhar then moved the High Court, seeking an injunction and damages.

During the earlier hearing on April 8, the High Court restrained Kumar from repeating the defamatory comments about the film`s script and Aditya Dhar.