Actor Ranveer Singh’s Dhurandhar: The Revenge is continuing its strong run at the box office, with social media users dissecting every frame of the Aditya Dhar spy thriller. Amid the film’s growing buzz, several social media users have now pointed out an editing slip-up – spotting a cameraman accidentally visible during a fight sequence featuring actor Ranveer Singh.

As the action unfolds and the two engage in combat, an error slips through: in a close-up shot zooming in on Ranveer’s face, a cameraman filming the scene is clearly visible in the frame, catching the attention of sharp-eyed viewers online.

The video has grabbed widespread attention online, sparking debate among viewers. While some believe it’s a genuine filming error, others have dismissed it as a visual glitch, and a section of social media users even question the clip’s authenticity altogether. Some social media users speculated about who the person might be, with some suggesting it could be cinematographer Vikas Nowlakha.

One social media user wrote, “Fake picture hai AI generated hai wo actual me cameraman nahi dikhta usme (It is a fake picture generated by A),” with one writing, “That’s inspired by Dark night, Nolan also mistakly forget to remove camera man in this scene. Peak detailing.”

“There was a scene with a gunfire, but no sound effect too lol,” another pointed out, and one wrote, “Nothing in the world is fully perfect, peak detailing by aditya dhar”.

Another shared, “AI”, with one mentioning, “It’s an edited one, I have watched the movie 2 times and it’s not there..” One called it “AI GENERATED”, with one dismissing it as “fake”.

One fan defended the makers by writing, “So as per you, because of this one milli second glimpse, the whole 4 hour movie is a waste? You’re an A-class ret***. Do you know how much money is poured into Game of Thrones, which is backed up by HBO. This is them placing a Starbucks cup in the scene by mistake.”

Dhurandhar was set in Lyari, Karachi, an area known for its history of gang wars and violent turf battles. It revolved around covert intelligence operations in the background of geopolitical and terror events like the Kandahar plane hijack, the 2001 Parliament Attack and the 26/11 Mumbai attacks.

The sequel delves into the origins of Ranveer Singh’s character, Hamza aka Jaskirat Singh Rangi, revealing the motivations behind his mission. It also takes the story forward, showing him taking control of the power dynamics in Lyari while working to dismantle a terror network in Pakistan that threatens India. The Aditya Dhar-directed film opened with earnings of ₹75 crore gross in paid previews, and minted ₹165 crore on release day. Till now, the film has raked in ₹390.54 crore (nett) in India.

When Priyadarshan described the project as a “good entertainer with music and drama,” Mohanlal immediately questioned, “Is there no action?” The filmmaker revealed that the film will include action but that he aims to create a film that families can sit and watch together. Mohanlal added, “As a friend and an actor, this is a huge blessing for me. Like Priyan said, this isn’t even a ‘blue moon’ event; it is rarer than that.”

He added, “This landmark film is being brought to life by Antony Perumbavoor under the banner of Aashirvad Cinemas, with Binu George Alexander as co-producer. I am deeply honoured to be a part of this journey. Some moments are not meant to be explained, only felt and held close with gratitude. To my friend, here is to everything you have created, everything you have given the world, and all the stories that are still waiting to be told.”

Priyadarshan began his journey as a director with the Malayalam film Poochakkoru Mookkuthi, starring Mohanlal in the lead. The two went on to collaborate on films like Aryan, Chithram and more. The duo last worked together on Marakkar: Arabikadalinte Simham. Fans are eagerly waiting to see the pair recreate their magic on screen.

‘Dhurandhar’ shattered box office records and ‘Dhurandhar: The Revenge’ is curre_{ntly on its way to do the same. The film has already crossed Rs 300 crore in cinemas in three days. While the internet can’t stop raving about the film, it has also got criticism for being extremely violent. In a recent interview, the film’s action director Aejaz Gulab revealed that only 60 percent of brutality is shown in the film. “We had shot all the brutality in detail, but what you see in the film is just 60%. Since we’re in the OTT era and kids may eventually watch it, we had to tone it down,” Aejaz shared in an interview with Hindi Rush. Shedding light on the filmmaking process, he added, “Aditya Dhar gave us full freedom. He said, ‘Aejaz bhai, think as brutal as you can. Kill in the most intense ways you can imagine.’ And we did exactly that, while he added his directorial touch. Aditya is extremely calm and sharp-minded, but when it comes to action, his thinking operates on a completely different level.”While many sequences were carefully choreographed, some moments came together spontaneously on set. Aejaz recalled one such instance where a violent scene involving Hamza was improvised during filming. “A lot of ideas were created on the spot. Aditya wanted the action to feel ‘manly’—not just simple pushes or throws,” he explained.The film’s climactic stretch, which runs for over half an hour, proved especially demanding. According to Aejaz, the masjid sequence alone required six days of rehearsal and 14 days of shooting. Maintaining continuity across such an extended sequence was no easy feat, with every department, from hair and makeup to costumes, meticulously documenting each detail to ensure consistency.He also spoke about the intense chain fight between Arjun Rampal and Ranveer Singh, where Rampal’s character nearly strangles Ranveer’s. “We obviously couldn’t use a real chain, so we designed a rubber prop. It wouldn’t cut the skin, but it still caused pain—and Ranveer bore it. So did Arjun. Both of them got injured multiple times during that climax,” he revealed.Despite sustaining injuries, neither actor eased up. “They wouldn’t stop—even during rehearsals, they pushed each other for real. They were so immersed in the scene that even after getting hurt, they refused to take breaks. We use lighter props for safety, but when used with force, they still hurt. In that chain sequence, we even had to stretch Ranveer Singh’s eyes when Arjun tightened the chain around his face,” he revealed.}