In the recent episode of Wheel of Fortune, during a candid and nostalgic moment, Akshay Kumar shared his preference for old-school, offline shopping over the convenience of online platforms.

Akshay Kumar says he prefers offline shopping

While interacting with contestants Ishanjali from Bangalore, Arjun from Pune, and Kiara from Jaipur, Akshay revealed that he truly enjoys stepping out, exploring markets, and visiting stores in person rather than shopping virtually. For him, shopping is not just about buying something; it’s about the experience.

Akshay explained that he loves going from shop to shop and feeling the fabric of clothes personally before making a purchase. The tactile connection, he said, makes all the difference and adds a personal touch that online shopping simply cannot replicate.

Smiling as he relived those moments, Akshay said, “Online shopping se toh main kehta hoon ki woh din kamaal ke the.” He added that there was something special about stepping out, standing in front of a shop, making your own choices, and even enjoying small treats like langori along the way.

Through his heartfelt recollection, Akshay beautifully reminded everyone that beyond convenience, it is the experiences, human connections, and simple joys that truly make memories unforgettable.

Akshay says his dad watched all his films 18-20 times

While conversing with the cast and director of the Gujarati film Laalo – Krishna Sada Sahaayate, Akshay grew visibly moved by their inspiring journey of making a movie despite having no money, armed with nothing but an unshakable belief in each other. He noted that the kind of history created by the film, becoming the first Gujarati movie to cross Rs 100 crore, is a rare miracle that happens when heart meets hard work.

In a deeply personal moment, Akshay narrated a cherished memory from his early days in the industry. He said, “Main aapko ek baat batana chahta hoon ki yeh cheez aur mere mein kya common hain.” He recalled, “Mere father, jab tak woh zinda the, unki death 2000 mein huyi thi. Tab tak mere jo bhi films release hoti thi, woh logon ko pakad pakad kar le jaate the aur meri film unhe dikhate the. Har film unhone mere 18 se 20 baar dekhi hogi.” This was proof of a father’s unconditional love.

Watch Wheel of Fortune from Monday to Friday at 9 PM only on Sony Entertainment Television and stream on SonyLIV.

Actress Nimisha Nair recently brought attention to a disturbing incident of harassment she faced in Bandra East, sparking fresh concerns about women’s safety in Mumbai after videos of the episode surfaced online.

Nimisha Nair faces harassment

The incident took place in the early hours near the Kherwadi flyover on the Western Express Highway, when Nimisha was travelling in a cab. According to her, two men on a scooter allegedly began harassing the driver after the vehicle overtook them. What initially seemed like a minor road altercation quickly escalated into a frightening situation.

Sharing the ordeal on social media, Nimisha revealed that the men aggressively blocked their path and attempted to intimidate both her and the driver. She wrote, “These two… decided to teach my Uber driver a ‘lesson’ for overtaking them.” The men reportedly hurled abuses, issued threats, and even tried to forcibly open the car doors while demanding that she roll down the windows.

Actress shares the ordeal

The situation became particularly alarming as the confrontation unfolded on a busy highway. In the video, Nimisha can be heard pleading, “Please stop it, please stop it,” as the men continued their aggressive behaviour. Despite the pressure, she chose not to comply with their demands, prioritising her safety.

She further described the incident as an example of unchecked aggression on city roads. Reflecting on her experience, Nimisha said, “Men taking the law into their hands… intimidating women,” highlighting a broader pattern she believes persists despite Mumbai’s reputation as a relatively safer city.

The actress also revealed that this was not an isolated experience. She shared that a similar incident had occurred earlier this year in Colaba, for which she had filed an FIR. Expressing frustration, she mentioned difficulties in immediately lodging a complaint this time due to a packed schedule and technical issues with the online system, though she intends to take formal action soon.

Her post has since triggered widespread reactions online, with many users voicing concern over safety and praising her for speaking out. The incident has reignited conversations around public safety, especially for women travelling late at night.

While authorities have reportedly reached out to her, the episode serves as a stark reminder that even in metropolitan cities, incidents of road harassment continue to pose serious risks, prompting renewed calls for stricter enforcement and safer public spaces.

What happens when grief and paranoia collide in an isolated lakeside cabin with no one left to trust? Premiering exclusively on Lionsgate Play on March 20, Dead of Winter takes audiences into a tense, ice-bound thriller where every whispered argument and every locked door hides a new layer of suspicion.

About Dead of Winter

Anchored by Emma Thompson in a chilling, emotionally charged performance, the film follows Barb, a widow who travels to northern Minnesota to scatter her late husband’s ashes. But when a savage blizzard strands her far from civilisation, her trip takes a dangerous turn as she interrupts the kidnapping of a teenage girl and soon realises she may be the girl’s only hope for survival.

As Barb becomes entangled with a couple guarding a desperate secret and a captive woman whose fate becomes tied to her own, survival turns into a game of trust and instinct. Directed by Brian Kirk, the merciless thriller builds claustrophobic tension between the raging storm outside and the hidden motives within, leaving audiences questioning where the real danger lies. Beneath the gripping suspense, the film also unfolds a deeply human story, with an unexpected thread of love at its core.

Brian Kirk about the thriller

Talking about the film, Brian Kirk said, “Dead of Winter is a merciless kidnap thriller set in an epic wilderness, with a beautiful love story at its heart. It’s bursting with emotion and tension, delivers explosive set pieces, and wrestles with the timeless question of how we make sense of life in the face of death.

“It takes us on an incredible journey into the bleak isolation of northern Minnesota, where Barb Sorenson, the recently widowed owner of a small fishing tackle store, risks everything to save a stranger. Barb is hopelessly out of her depth, but she’s kept afloat by the memory of her husband. It’s not in her nature to quit — that’s why we’re telling her story.

“Emma Thompson, a double Academy Award winner and five-time nominee, brings stature, intelligence, and humanity to every role. But we’ve never seen her deliver a performance like this. Though Barb’s grief is profound, she has no time for self-pity. This moment requires a hero.”

He added, “Kidnap stories are usually motivated by sex or money, but all our characters are driven by the primal urge to survive. Purple Lady (Judy Greer) is ready to kill to save her own life, and her husband, Camo Jacket (Marc Menchaca), has no choice but to help. Their intended victim (Laurel Marsden) is a suicidal teenager who discovers what her life is worth when faced with losing it. Everyone is entangled in a dance with death.”

Amid the ongoing controversy surrounding the song Sarke Chunar, the Union government has confirmed that the song has been banned. This comes after widespread criticism over its lyrics and visuals. The Union Minister for Information and Broadcasting, Ashwini Vaishnaw, announced the decision in the Lok Sabha while responding to a question raised by Samajwadi Party MP Anand Bhadouria.

Ashwini Vaishnaw confirms ban on Sarke Chunar

Addressing the questions raised, Vaishnaw said the government had already acted against the song, reiterating that freedom of speech in India is subject to constitutional limits. The minister further emphasised that expression must operate within the framework of reasonable restrictions laid down by the Indian Constitution.

During the discussion, Vaishnaw said, “The song has already been banned,” adding, “I would like to say this clearly that we should follow the reasonable restrictions imposed by the creators of the Constitution of India on freedom of speech.”

The minister further referred to the provisions under Article 19(2) of the Constitution, which permit restrictions on freedom of speech in the interest of public order, decency, morality, and other concerns.

“Freedom of speech cannot be absolute. It has to be in the context of society and culture. We must follow the reasonable restrictions imposed by the creators of the Constitution. And in that, very carefully, in the coming time, the way things are spreading rapidly today through digital means, in that, for the protection of the society, especially for the protection of children, for the protection of women, for the protection of the deprived groups of the society, whatever hard actions should be taken, the government is ready to take them,” Vaishnaw noted.

Controversy surrounding Nora Fatehi`s Sarke Chunar

The controversy erupted after the song featuring actors Nora Fatehi and Sanjay Dutt was released. Critics claimed that the track contained vulgar lyrics and visuals that objectified women. The backlash soon escalated, with several individuals and organisations calling for action against the creators.

Multiple complaints were filed demanding an FIR and removal of the track from circulation, which further intensified public debate just days before the matter was raised in Parliament.

Haryana Women Commission, Karnataka Women Commission, actor-politician Ravi Kishan, actor-politician Kangana Ranaut, and singer Armaan Malik, among others, have expressed disapproval against the track, calling it objectionable.

An advocate has even approached the Central Board of Film Certification (CBFC) seeking an immediate ban and removal of the song, claiming that its lyrics and visuals are obscene and harmful to minors.