Tuesday, September 29, 2026
Home Blog Page 1328

After 18 years, Shantanu Narayen prepares to hand over Adobe reins| Business News

0
After 18 years, Shantanu Narayen prepares to hand over Adobe reins| Business News


After 18 years at the helm, leading nearly 100 earnings calls in the time and transforming Adobe in more ways than one, CEO Shantanu Narayen is ready to hand over the reins. The longtime CEO has announced his decision to step down, in a memo to employees earlier today, with the onus now on the Board of Directors to identify a successor. Post the transition at a future date, Narayen says he will stay on as Chair of the Board to help the new CEO — he remembers the past, noting Adobe co-founders John Warnock and Chuck Geschke supported him with the transition.

The revenue story is the strongest part of Narayen’s legacy at Adobe. (File Mint photo)
The revenue story is the strongest part of Narayen’s legacy at Adobe. (File Mint photo)

Narayen is confident about Adobe’s journey. “The opportunity in front of us is extraordinary. Together, we are uniquely positioned to lead it — and I remain deeply committed to doing so as we look ahead and prepare to name Adobe’s next CEO. I am more confident than ever that Adobe’s best days are still to come,” he told employees. Narayen joined Adobe in 1998 and became CEO in 2007.

The revenue story is the strongest part of Narayen’s legacy at Adobe. When he took over in late 2007, Adobe closed the final year with $3.16 billion in annual revenue. As he exits, Adobe’s most recent fiscal year clocked at $23.8 billion revenue, with 10.5% year-over-year growth. That’s a roughly 7.5x growth over 18 years, with no meaningful dips.

Narayen inherited the leadership of a company that made excellent software but sold it the old-fashioned way — boxed discs, as a one-time-purchase, and that’s the customer done for a few years. What he saw, and what most of the industry was still figuring out at the time, was that the future belonged to subscriptions. While Adobe didn’t invent SaaS, or software as a service model, Narayen ensured it became one of the first major software companies to go all-in on the model. Risks were high, considering its most loved and used products such as Photoshop, Illustrator, Premiere, Lightroom, were at stake. On the agenda was a recurring revenue bet that looked risky at the time.

Adobe’s biggest milestone in the past couple of decades is the Creative Cloud, launched in 2013. Creatives were unhappy, forums (which were a rage, before social media) erupted in anger, and complaints were loud. After initial inertia, the product got better precisely because Adobe focused on continuous, periodic updates rather than saving everything for the next big release.

Adobe Creative Cloud has over 41 million paid subscribers as of late 2025, nearly doubling its user base in five years. The platform adds over 1 million new subscribers per quarter, with total monthly active users including individual consumers, students, and business professionals across Creative Cloud, Acrobat, and Firefly, now exceeding 850 million. These numbers cite how a cloud-based subscription pivot is central to Narayen’s transformation of the company.

In the past few years, Adobe has leaned heavily towards enabling artificial intelligence (AI) in creative and document workflows. At the core of these experiences is the company’s own Firefly model, their answer to the generative AI competition. Some recent moves include the agentic AI vision across popular apps including Photoshop and Express, integration with OpenAI’s ChatGPT, significant improvements to the Firefly Video Model, and the push to add a broader spectrum of models within their apps toad value for users. The strategy is clear, to build AI that is commercially safe, trained on licensed content, and deeply integrated into existing products in a human-driven approach.

Then there’s a deal that didn’t happen. In 2022, Adobe announced a $20 billion bid for Figma — a browser-based design tool that had become the de facto standard for product and UX (user experience) teams, and a genuine threat to Adobe’s core business. By late 2023 the deal was scrapped, after regulators pushed back. The European Commission said its preliminary view was that the acquisition could reduce competition in global markets for interactive product design software and other creative design software. The UK CMA’s provisional findings said the deal would likely harm innovation in software used by the vast majority of UK digital designers. A rare swing-and-miss for Narayen.

At this time, there is no confirmation on when the new CEO will be announced by Adobe. However, the obvious internal frontrunner could be David Wadhwani, President for the Creativity & Productivity Business, which includes Adobe’s crown jewels—Photoshop, Illustrator, Premiere, Acrobat, Express and Firefly.

Another name in the fray could be Dan Durn, Adobe’s Chief Financial Officer overseeing finance, technology, security and operations, which gives him company-wide visibility on the direction. The board may also weigh Anil Chakravarthy, who is President of the Customer Experience Orchestration Business, and is responsible for the company’s worldwide field operations—including enterprise sales, professional services and customer success.


'So many people come on set, do nothing and make money': Priyadarshan hates Bollywood's 'exhausting' entourage culture

0
'So many people come on set, do nothing and make money': Priyadarshan hates Bollywood's 'exhausting' entourage culture


In a career spanning four decades and 100 films, Priyadarshan has made films in several languages. After starting his career in Malayalam films, he entered Hindi cinema in the 90s. Since then, he has directed over two dozen Hindi films. Now, the veteran filmmaker is returning to Bollywood with three films over the next two years. However, in a recent interview, the 69-year-old admitted that he does not like everything about the Hindi film industry.

Priyadarshan spoke about actors' entourages in Bollywood.
Priyadarshan spoke about actors’ entourages in Bollywood.

Priyadarshan on Bollywood’s entourage culture

Talking about what he does not particularly like about Bollywood in an interview with The Hollywood Reporter India, Priyadarshan pointed to the industry’s entourage culture. “I only get exhausted seeing the people around actors. On a floor, if I am working with three actors, I will see thirty people who are doing nothing and just standing around. I cannot see my visuals through the camera. They are blocking my view. I have never seen this in any other place than Bollywood,” he said.

Describing this trend as a recent development, Priyadarshan said it exhausts him. “So many people come onto the set, and they do nothing and make money. This is exhausting me. I hate it. It’s the only thing I dislike about Bollywood,” the filmmaker added.

The debate over entourages in Bollywood

A lot has been said about the rising costs of actors’ entourages in Hindi cinema, often borne by producers. Many filmmakers have said that it is unfair for actors to bring large entourages to sets and events, and then charge producers and organisers for their ‘upkeep’. Last year, actor John Abraham had said, John added, “It’s already hurting Hindi cinema. At this point in time, we shouldn’t be paying people to act in films because we don’t justify those huge budgets, the huge fees that we get paid. We can’t load a film with entourage costs as well. It’s ridiculous. I don’t know if actors are thinking this way or is it their agent making them think differently.”

Priyadarshan’s return to Hindi films

Priyadarshan is marking his return to Hindi cinema with Bhooth Bangla, a horror comedy that reunites him with Akshay Kumar. The film, which also stars Tabu, Wamiqa, and Paresh Rawal among others, is set to release in theatres on April 10. Priyadarshan is working with Akshay in two more films after that. Haiwaan, which has been filming since last year, is a thriller also stars Saif Ali Khan. Then there is Hera Pheri 3, marking the reunion of Akshay, Paresh Rawal, and Suniel Shetty. The film is expected to go on floors in 2027.


World Para Athletics GP: India clinch 11 gold medals on Day 2

0
World Para Athletics GP: India clinch 11 gold medals on Day 2



World Para Athletics GP: India clinch 11 gold medals on Day 2

India delivered an exceptional performance on Day 2 of the New Delhi 2026 World Para Athletics Grand Prix, securing multiple podium finishes across track and field events, including several clean sweeps of the podium. 

The highlight of the day came in the Men’s Javelin Throw F43/F44/F64, where Paralympic champion Sumit Antil led an all-Indian podium. Antil clinched gold with a powerful throw of 69.25 metres, while Pushpendra Singh secured silver with 56.91m and Poonam Ram won bronze with 49.48m.

After the victory, Sumit Antil said: “This time we have multiple tournaments lined up. I will try to perform well in the upcoming competitions. It is an off-season loading phase for me. I was not expecting such a throw; I expected around 67–68m, but the throw was good today at 69.25m. So I am happy, and my team is happy as well.”

He further added, “I am not changing my technique because we know we are moving in the right direction in our training. Right now, we just need the right conditions where the throw falls perfectly in place. That is why I am participating in tournaments so I can find those conditions somewhere. I am targeting the Asian Games, and the goal is 75m. I haven’t achieved it yet in practice, and no athlete has done it yet, but I am working on whatever improvements are possible in technique or strength to reach that mark.”

India also dominated the Men’s 400m Run T13, with Subodh Bhatt winning gold in 51.88 seconds, followed by Priyanshu Kaushik with silver in 53.19 seconds and Avnil Kumar claiming bronze in 56.91 seconds.

In the Men’s 400m Run T46/T47, Bhavikkumar Din Bharwad secured gold with a time of 49.89 seconds, while fellow Indian Jasbeer finished close behind to take silver in 50.09 seconds. Ivan Cvetkovic of Serbia won bronze with 50.93 seconds.

India continued its dominance in the wheelchair category of the Men’s 400m Run T53/T54, sweeping the podium with Manojkumar Sabapathi winning gold in 54.33 seconds, Anil Kumar taking silver in 57.57 seconds, and Manikandan Jothi securing bronze with a time of 1:01.94.

The women’s events also saw strong performances from Indian athletes. In the Women’s 400m Run T11/T12, Tejalben Amraji Damor won gold with a time of 57.53 seconds, Lalitha Killaka secured silver in 1:07.92, and Shalini Chaudhary completed another Indian podium sweep with bronze in 1:16.79.

In field events, Lakshmi won gold in the Women’s Shot Put F36/F37/F40 with a throw of 7.76 metres, while Akutai Sitaram Ulbhagat claimed silver with 5.49m and Chimi Dema of Bhutan secured bronze with 5.27m.

Even after winning gold in the women’s 100m T35 event, 2024 Paralympics double bronze medallist Preethi Pal was disappointed after she couldn`t deliver her personal best at the World Para Athletics Grand Prix here, having done that consistently for a month while practicing, and said she is already looking at ways to improve in the upcoming races.

The Indian para sprinter clocked 14.46 seconds to claim the top spot at the World Para Athletics Grand Prix at the Jawaharlal Nehru Stadium on the opening day of the competition on Wednesday. However, Preethi said fatigue towards the end of the race affected her execution.

“It was my 100m race. Towards the end I got exhausted and didn’t realise it at that moment. Later I watched the race again to see how it went,” Preethi told IANS.

While the gold medal added to her tally, the Indian athlete stressed that timing remains the more important benchmark, especially with bigger competitions ahead.

“In the Grand Prix, winning a gold medal is not the most important thing — what matters more is the timing. Because our real goal is to win gold at the Asian Games and the Paralympics,” she said.

India also swept the podium in the Men’s Long Jump T42/T63, with Shaliesh Kumar winning gold with a jump of 5.47 metres, Ramsingbhai Govindbhai Padhiyar securing silver with 4.68m, and Solairaj Jagannathan taking bronze with 3.23m.

Another clean sweep came in the Men’s Shot Put F46, where Rohit Kumar clinched gold with a throw of 14.35 metres, Devendra Singh Gurjar won silver with 13.97m, and Lokesh Akula secured bronze with 10.92m.

India continued its strong showing in throwing events with Sahil Salim Sayyad winning gold in the Men’s Discus Throw F51/F55 with 36.83 metres, followed by Sukhchain with silver (30.49m) and Sudhir with bronze (28.78m).

In the Men’s Javelin Throw F12/F13, Manjeet secured gold with a throw of 57.86 metres, Pratik Amrutrao Patil won silver with 50.43m, and Irfan Diwan claimed bronze with 45.39m, completing yet another podium sweep for India.

India also dominated the Men’s Javelin Throw F40/F41, with Sunil Kumar winning gold with 32.58 metres, Prince Kumar securing silver with 31.23m, and Kathir Dhanasekaran finishing with bronze with 18.73m.

Among other performances, Mohit Pal won gold in the Men’s 400m Run T12 with a time of 54.39 seconds, while Lucky Yadav secured silver with 1:04.27.

International athletes also impressed during the competition. In the Men’s 400m Run T20, Russia claimed all three medals, led by Sergei Makarov, who won gold in 49.20 seconds. Meanwhile, Natalia Sainchina of Russia secured gold in the Women’s 400m Run T20, clocking 1:00.52.

With several podium sweeps and standout performances, Indian para athletes continued to demonstrate their growing strength on the international stage at the New Delhi 2026 World Para Athletics Grand Prix.

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever


Prakash Jha confirms sequel to Ranbir Kapoor led 'Rajneeti'

0
Prakash Jha confirms sequel to Ranbir Kapoor led 'Rajneeti'


Prakash Jha confirms sequel to 'Ranbir Kapoor led 'Rajneeti' is in works: 'Constantly draw from epics and mythologies'
Filmmaker Prakash Jha confirmed he’s actively developing ‘Raajneeti 2’, drawing inspiration from Indian epics. He revealed that tackling subjects challenging the status quo has always been difficult, a challenge amplified by social media’s rapid dissemination of interpretations. Jha emphasized the need for responsible storytelling that fosters meaningful, balanced dialogue, a practice he’s employed since ‘Gangaajal’. Read on to know more in detail.

Prakash Jha recently shared that he is currently working on the sequel to the Ajay Devgn, Arjun Rampal, and Ranbir Kapoor starrer ‘Raajneeti’. The filmmaker also expressed that making movies on subjects that challenge the status quo has always been tough. Let’s learn more about it in detail.

Prakash Jha says he is working on ‘Raajneeti 2’

In an interview with SCREEN, Prakash Jha was asked if he ever thought about making a movie based on mythology, since his projects carry an undercurrent of it. To this, he said, “I don’t really know. But I constantly draw from the epics and from our mythologies, be it the characters, the incidents, the drama, everything.”Jha added, “Even in the second part of ‘Raajneeti’, which is currently in pre-production and I’m actively working upon, a lot has been drawn from those sources.”

Prakash Jha shares if it’s difficult to work on projects that challenge the status quo

In the same conversation, Prakash Jha was asked if it has become difficult to deal with subjects that challenge the status quo, given that his projects often have political undertones. The filmmaker answered, “It has always been tough. But with the spread of social media, where people can express their ideology, or even their lack of one, so easily and within seconds, it has become harder to contain or control a conversation.”The director stated that before anyone expresses themselves fully, “multiple interpretations of what you’ve said begin to circulate. That’s a force one has to deal with.”Jha added that he had to negotiate even while making movies like ‘Gangaajal’ and ‘Raajneeti,’ and that practice continues. The filmmaker shared that one has to find stories even within difficult circumstances. He said, “The idea is to say what you want to say, say it responsibly, and say it in a way that the dialogue becomes meaningful and complete, because it shouldn’t remain one-sided.”

More about ‘Raajneeti’

Directed by Prakash Jha, the film featured Ranbir Kapoor, Nana Patekar, Ajay Devgn, Katrina Kaif, Arjun Rampal, Manoj Bajpayee, Sarah Thompson, and Naseeruddin Shah. It was released in theaters on June 4, 2010.


Nitish Rana can’t wait to play with Mitchell Starc after Delhi Capitals homecoming for IPL 2026: ‘Opportunity came late’

0
Nitish Rana can’t wait to play with Mitchell Starc after Delhi Capitals homecoming for IPL 2026: ‘Opportunity came late’


Better late than never. Nitish Rana‘s homecoming is finally here, with the left-handed batter all set to represent the Delhi Capitals in the upcoming Indian Premier League 2026 edition. The Rajasthan Royals traded the 32-year-old to Delhi for INR 4.20 crore ahead of the player auction, and hence, for the first time in his IPL career, Rana will be representing his home team. Hailing from Delhi, the batter was in remarkable form last year, smashing runs for fun in the Delhi Premier League (DPL), and would now look to carry the momentum forward.

Nitish Rana opens up about playing for the Delhi Capitals (Nitish Rana - Instagram)
Nitish Rana opens up about playing for the Delhi Capitals (Nitish Rana – Instagram)

Rana is quite experienced in the IPL, having represented the Mumbai Indians, Kolkata Knight Riders (KKR) and the Royals. His best years came at KKR, where he played from 2018 to 2024. He even led the franchise in 2023 during Shreyas Iyer’s absence and was part of the title-winning squad in 2024.

The batter also spent two seasons away from Delhi in domestic cricket, representing Uttar Pradesh, before returning to the side for the 2025–26 season. And now, Rana is all set to put his best foot forward in the upcoming 19th edition of the IPL.

“I am very excited because it has always been my dream to play for the IPL for Delhi. Because I have played for Delhi since childhood. And this opportunity came late, but hopefully it will come in a good way. And I will be able to do well and help DC win the title,” Rana told the Hindustan Times.

“Obviously, in the last two years, I had played for UP for domestic cricket. Now, I have returned home for both sides, domestic and even IPL. So, I am very excited. Plus, I have a family here. So, that is also a very good moment for me. Because staying with family, playing for Delhi, all that. When I started playing cricket, I thought about it. Now, it is coming true. So, I am very excited for it,” he added.

In the 2025 DPL, Rana finished as the fourth-highest run-scorer in the tournament with 393 runs in 11 matches. However, his most important contribution came at a crucial stage, when he helped his team, West Delhi Lions, win the competition.

Rana said he has no option but to carry his form into the IPL, as he wants to make the most of the opportunity. “I don’t have any other option. As a professional cricketer, I play cricket only for these reasons. And that should be my bread and butter. And I am working hard for that. And my job is to focus on the process. And if the process is right, the result will definitely come in my favour.”

To put experience into use

Rana is one of the most experienced batters in the IPL, having played 118 matches and scored 2,853 runs at an average of 27.97 and a strike rate of 136.77. The batter shared the dressing room with Australia pacer Mitchell Starc during the 2024 season at KKR, and the two will now reunite in the Delhi Capitals dressing room.

“Those who don’t know Mitchell Starc, they think he is very aggressive. And that’s the only way he bowls. But he is a very kind-hearted guy. Because I have shared the dressing room with him. And he is very soft-spoken. And he is a very good guy. So, I am very excited to play with him.”

The last few years have seen the dynamics of T20 cricket change, with batters looking to take the game on from the very first ball. The concept of an anchor is slowly fading away. However, Rana does not believe in this notion, saying the situation will always dictate the approach and that one cannot walk in with preconceived ideas.

“It depends on the player. It depends on your preparation. It depends on what kind of preparation you have done. What kind of situations have you batted in? It comes with experience and time. You can’t explain it to anyone. It doesn’t come with words. You have to put yourself in that situation again and again. You have to lose 10 times and win 5 times. Only then will you understand. I think that is very much in our group. Because KL Rahul is such an experienced player. Even Axar, even Kuldeep. Me, Karun Nair. These 5-6 people who are from the Indian core,” said Rana.

“And who have been playing cricket for many years. I think that will help the youngsters a lot. This group will help the young group a lot. Overall, it is a very balanced side,” he concluded.

The IPL 2026 edition will get underway on March 28 and the Delhi Capitals will play their opening game on April 1 against Rishabh Pant’s Lucknow Super Giants at Ekana.


Jaswir Kaur on being forced to leave CID and suffering from depression

0
Jaswir Kaur on being forced to leave CID and suffering from depression



Jaswir Kaur on being forced to leave CID and suffering from depression

Television actor Jaswir Kaur, who is currently seen in the popular show Anupamaa, recently spoke about one of the most difficult phases of her life and career. In a candid conversation on a podcast, the actor revealed that she was unexpectedly asked to leave the long running crime show CID, a decision that left her emotionally and financially shaken for several years.

Jaswir Kaur on being forced to quit CID

Jaswir shared that she had been working on CID for nearly two years and had become deeply invested in the show and her character. According to her, the work schedule was extremely demanding. She recalled that she would often shoot continuously, sometimes for weeks without a break. Despite the pressure, she remained committed to her work and tried to keep up with the pace of television production.

However, things suddenly changed. Jaswir said that one day she was called into the office and informed that she would have to leave the show. The news came as a shock because she had not expected such a decision after working so consistently on the project. The abrupt exit left her confused and deeply hurt, marking the beginning of a very challenging period in her life.

The aftermath of leaving CID was particularly difficult for the actor. Jaswir revealed that she went through a phase of depression and struggled to find stable work. She described the next several years as a time when survival itself became her primary focus. For nearly seven years after her exit from the show, she relied mostly on small cameo roles and occasional appearances just to sustain herself financially.

Facing financial stress and suffering from depression

During that period, she also faced severe financial stress. Jaswir recalled moments when she had very little money, even as regular expenses and taxes continued to pile up. The uncertainty about her future in the industry often left her emotionally drained, and she admitted that there were times when she would sit alone and cry, unsure about what lay ahead.

Despite the hardships, Jaswir said she tried to stay hopeful and keep moving forward. Over time, she slowly began rebuilding her career through smaller roles and appearances in different television shows. Her persistence eventually paid off, allowing her to regain stability in the industry.

Today, Jaswir is once again visible on television through Anupamaa and continues to work steadily. Looking back at those difficult years, she believes the experience taught her resilience and strengthened her determination to survive in a competitive industry where stability is never guaranteed.


Sunrisers Leeds’ official X account suspended shortly after signing Abrar Ahmed | Cricket News

0
Sunrisers Leeds’ official X account suspended shortly after signing Abrar Ahmed | Cricket News


The Hundred Auction 2026: Sunrisers Leeds’ official X account suspended shortly after signing Abrar Ahmed
Sunrisers faced social media backlash after signing Pakistan’s Abrar Ahmed for The Hundred, becoming the first Pakistani player signed by an Indian-owned team in the competition. The move sparked criticism from Indian fans, with the team’s official X account later being suspended.

NEW DELHI: The Sunrisers franchise faced heavy backlash on social media after signing Pakistan mystery spinner Abrar Ahmed in Thursday’s inaugural men’s The Hundred 2026 players’ auction. Abrar became the first Pakistani player to be signed by an Indian-owned team in The Hundred, with Sunrisers paying USD 255,000.The move did not sit well with many fans in India, who criticised Sunrisers and team owner Kavya Maran for signing a Pakistan player, saying it went against national sentiment.

Gautam Gambhir reflects on India’s World Cup win and backing Sanju Samson in the tournament

At the auction, Kavya Maran was seen at the table alongside head coach Daniel Vettori. There had been heavy scrutiny beforehand over whether Indian-owned teams would bid for Pakistan players amid reports of a possible shadow ban.

Poll

Do you support the Sunrisers signing Abrar Ahmed from Pakistan?

Shortly after acquiring Abrar, the Sunrisers Leeds official account on X was suspended. The platform did not give a specific reason, but users saw the message “Account suspended” when visiting the page, with the notice stating that “X suspends accounts which violate the X Rules.”Last year, Indian media company Sun TV fully took over the Leeds franchise in The Hundred, formerly called Northern Superchargers, by buying 49% from the ECB and 51% from Yorkshire.Sunrisers’ other teams, Sunrisers Hyderabad (IPL) and Sunrisers Eastern Cape (SA20), had never signed an active Pakistan player before. In the auction, Sunrisers won the bidding war against Trent Rockets to secure Abrar Ahmed.

For the complete match list, venues, and timings, check the full IPL 2026 schedule, fixtures, and team-wise match dates here.
Banner Insert


Ashish Chanchlani on debut series Ekaki: ‘Monetarily, I am in a huge loss’

0
Ashish Chanchlani on debut series Ekaki: ‘Monetarily, I am in a huge loss’



Ashish Chanchlani on debut series Ekaki: ‘Monetarily, I am in a huge loss’

The final episode of Ekaki was unveiled last month. This marked the debut series of YouTuber Ashish Chanchlani, who is widely known for his comedy sketches. With Ekaki, he also ventured into the science-fiction space, a series he wrote, directed, produced and acted in.

Ashish on facing loss

Ekaki marked a turning point in Ashish’s career as well as a major creative pivot. The creator, who is known for his relatable comedy sketches, said he felt the need to experiment. In an interview with Hindustan Times, Ashish was asked if his parents and well-wishers had advised him against taking such a huge risk. He admitted that he had been hearing that for a long time.

“And I was like, ‘Now that I have turned 30, if I don’t take a risk now, then when will I take a risk? Till when will I keep making content about Holi, Diwali and tuition classes?’” he said.

While the show has gained significant traction online, Ashish admitted that it has not been financially rewarding so far. “If we see monetarily, I am in a huge loss, but emotionally and mentally, I am in a lot of profit today. Paise kama lenge aage chalke 100&#37 (we’ll earn money in the future 100&#37),” he said.

Why Ekaki did not go on OTT?

Chanchlani also revealed that several OTT platforms initially struggled to understand the show’s format. “Many OTTs didn’t quite get what I was trying to do. It’s essentially sketch comedy with a YouTube feel, but woven into a larger narrative. Since it was a new format, they found it difficult to grasp,” he explained.

Ashish added that he even received a lucrative offer just 10 days before the show’s release but chose to turn it down. “A major platform offered me a good amount of money, and I could have easily cashed out. But I knew I wouldn’t have been happy,” he said, noting that releasing Ekaki on YouTube helped it reach a much larger audience.

“The viewership Ekaki has generated on YouTube is crazy, almost 10 times more than it would have been on any other platform. Each chapter became an event, and people kept talking about it for months,” he said, calling the series a gift to his loyal audience.

More about Ekaki

With Ekaki, Ashish Chanchlani steps fully into the driver’s seat, taking on the roles of writer, director, producer and lead actor. The series reflects his passion and determination to bring a story to life exactly the way he imagined it. He is supported by a trusted team throughout the journey.

Kunal Chhabhria joins as co-producer, Akash Dodeja appears as the parallel lead, Jashan Sirwani oversees operations as executive producer, and Tanish Sirwani guides the show’s creative vision.


KPop Demon Hunters to return as Netflix announces sequel

0
KPop Demon Hunters to return as Netflix announces sequel



The sequel brings back the co-directors of the first film, which was a smash-hit for the streaming service.


Gold price prediction amid US-Iran war: What’s the gold rate outlook for March 13, 2026? Resistance seen near Rs 1,60,300

0
Gold price prediction amid US-Iran war: What’s the gold rate outlook for March 13, 2026? Resistance seen near Rs 1,60,300


Gold price prediction amid US-Iran war: What's the gold rate outlook for March 13, 2026? Resistance seen near Rs 1,60,300
Gold is trading near the lower Bollinger band after an extended decline, indicating strong downside momentum. (AI image)

Gold price prediction today: Gold prices are seeing intraday weakness and a sell on rise strategy makes sense, says Jateen Trivedi, VP Research Analyst – Commodity and Currency, LKP Securities.Gold April futures on MCX are trading near ₹1,59,860 after witnessing persistent selling pressure through the session. The price structure reflects a clear downward bias with successive lower highs and lower lows forming on the intraday chart. Momentum indicators remain weak, suggesting that any short-term recovery toward resistance levels could attract fresh selling interest.Technical SetupPrice is trading below the short-term EMA cluster, with the 8 EMA trending beneath the 21 EMA. Both averages are sloping downward, confirming the continuation of the bearish intraday trend. The ₹1,60,300 level aligns with the immediate moving average resistance zone.Gold is trading near the lower Bollinger band after an extended decline, indicating strong downside momentum. A pullback toward the mid-band could provide a selling opportunity before the trend resumes.The chart shows a consistent lower-high pattern, confirming supply dominance. Until prices reclaim ₹1,61,000, the broader intraday sentiment remains negative.RSI Indicator:RSI is hovering near 23, entering oversold territory. While this may trigger a minor bounce, it does not invalidate the prevailing bearish trend.MACD remains in negative territory with expanding red histogram bars, reflecting continued bearish momentum.Gold Intraday Trading View

  • Strategy: Sell on Rise
  • Sell Level: ₹1,60,300
  • Stop-Loss: Above ₹1,61,000
  • Target: ₹1,59,000

Bias: Bearish below ₹1,60,300; trend reversal only above ₹1,61,000.Gold’s intraday structure remains weak with strong downward momentum reflected through falling moving averages and a sub-30 RSI reading. Any pullback toward ₹1,60,300 is likely to face selling pressure. Traders may consider selling on rise near ₹1,60,300 with a stop-loss above ₹1,61,000, targeting ₹1,59,000 during the session.(Disclaimer: Recommendations and views on the stock market, other asset classes or personal finance management tips given by experts are their own. These opinions do not represent the views of The Times of India)