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T20 World Cup 2026: Team India are limited-overs gold standard

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T20 World Cup 2026: Team India are limited-overs gold standard



T20 World Cup 2026: Team India are limited-overs gold standard

The final turned out to be a complete anti-climax, but no one was complaining. Having shed every fingernail during the tense semi-final win over England, India’s fans rejoiced in a dominant display by their heroes, whose grip on the T20 World Cup tightened with each passing minute here on Sunday.

Perfection is overrated

India didn’t run the perfect campaign, but then again, perfection is overrated. South Africa came into the semi-finals as the only unbeaten side and were walloped by New Zealand. India were among those to suffer at South Africa’s hands, in the Super Eights. But once they blasted 256 against Zimbabwe in the first of four must-win outings, the hosts were a batting unit transformed, welcoming a return to terrific batting strips with some of the most outrageous ball-striking.

The final was further proof of India’s smarts aligning superbly with their firepower. In the only over of off-spin from Glenn Phillips, Abhishek Sharma was happy to dead-bat a couple away; off-spin had been his kryptonite in the World Cup and so he set ego aside, knowing that he had the game to catch up. And catch up he did spectacularly, with an 18-ball half-century that set the tone for a decisive 255 for five in which Sanju Samson’s 89 was the highest contribution.

Samson, the hero

Samson was the undisputed batting hero (97 not out, 89 and 89 in his last three games), and earned the Player of the Tournament honours. From a non-starter to the most influential batting cog in the title run must be sweet for the 31-year-old, who had flattered to deceive so often earlier.

India stuck to the team mantra, eking out contributions from everyone, and counting their blessings that they can fall back on the genius of Jasprit Bumrah. Suryakumar Yadav used his battering ram superbly and Bumrah responded by topping the wicket-taking chart (14) with a telling maiden four-for in the final. It will be no exaggeration to say that, with just two defeats in 33 matches in the last four ICC white-ball events, India are the limited-overs gold standard currently.


Rupee gains as oil slips but volatility remains high

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Rupee gains as oil slips but volatility remains high


Rupee gains as oil slips but volatility remains high

MUMBAI: The rupee rebounded Tuesday, closing at 91.81 against the dollar, up 54 paise from Monday as oil cooled and equities rebounded amid President Trump’s assurances of West Asia risk being short-lived. Brent crude plunged to below $90.8 a barrel after briefly nearing $120 a day earlier, easing pressure on India’s import bill and lifting the domestic currency.Dealers said falling crude, RBI dollar sales, amid importer hedging supported the rupee, though volatility remained elevated. The rupee opened firm, strengthened through the session on RBI support, and settled over 0.5% stronger. “Rupee traded stronger with gains of 0.5%, moving back above 92, as the dollar index slipped below 99 and crude oil prices corrected sharply. Oil, which had surged close to $119-$120, dropped significantly toward the $85 zone, easing pressure on India’s import bill and providing support to the domestic currency,” said Jateen Trivedi, analyst with LKP Securities.


Epstein had two key aides

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Epstein had two key aides


The court filings claim that, on one occasion, Indyke took two cheques to a New York bank to withdraw cash – $7,500 from one of Epstein’s personal accounts and $4,000 from Indyke’s business account. He cashed one of the cheques and, the papers claim, said he would return the following day to cash the second in order to “avoid all the paperwork”.


Singer Madhubanti Bagchi was ‘hesitant’ to star in Dhurandhar track Shararat, said yes to Aditya Dhar on one condition

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Singer Madhubanti Bagchi was ‘hesitant’ to star in Dhurandhar track Shararat, said yes to Aditya Dhar on one condition


The song Shararat, from the Aditya Dhar directorial Dhurandhar, became an instant chartbuster after the film’s release. The peppy dance number featured actors Ayesha Khan and Krystle D’Souza, while the real singers of the track- Madhubanti Bagchi and Jasmine Sandlas, were also seen in it. But did you know that Madhubanti was initially hesitant to star in the music video? The singer shared that it was Aditya Dhar’s confidence and vision that paved the way for her. (Also read: Singer Madhubanti Bagchi says she was surprised how Dhurandhar track Ramba Ho was placed during a gun fight sequence)

Madhubanti Bagchi and Jasmine Sandlas starred as singers in the music video of Dhurandhar.
Madhubanti Bagchi and Jasmine Sandlas starred as singers in the music video of Dhurandhar.

What Madhubanti shared

Speaking during a roundtable conversation with Rohini on the YouTube channel Fever HM, powered by Amazon Music, Madhubanti said, “I was hesitant. I am just extremely hesitant about everything other than going to the studio or staying at home. Every other thing I will hesitant and ask, ‘Why?’ I asked Aditya Dhar, ‘Why? You have so many people in that sequence; the actors, dancers, and everyone.’ He was so convinced about what he wants to do so there is not much that you can protest about. He said I want this and I said okay!”

She went on to add, “My only condition was that, ‘Do not make me dance!’ Because I don’t want people to see that! (laughs)”

About Shararat and Dhurandhar

Shararat is set during a wedding celebration in the Ranveer Singh-starrer, with Ayesha and Krystle portraying wedding dancers at a posh Karachi wedding. Madhubanti and Jasmine starred as the singers crooning the number live at the wedding and grooving to the beats.

The song is composed by Sashwat Sachdev. Vijay Ganguly has choreographed the track. The YouTube video of Shararat has crossed 340 million views so far.

Dhurandhar is a spy thriller starring Ranveer in the lead, alongside Akshaye Khanna, Arjun Rampal, R Madhavan, and Sanjay Dutt. The film has been a massive success at the box office, becoming India’s highest-grossing film of 2025. The sequel, titled Dhurandhar The Revenge, will see an intense face-off between Arjun and Ranveer. Dhurandhar 2 also stars Sara Arjun, Rakesh Bedi, and Danish Pandor, and is scheduled to release in theatres on March 19, with paid preview shows on March 18.


‘Dig at Virat Kohli, Rohit Sharma’: Gambhir’s blunt take on personal milestones stirs debate after India’s World Cup win

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‘Dig at Virat Kohli, Rohit Sharma’: Gambhir’s blunt take on personal milestones stirs debate after India’s World Cup win


Gautam Gambhir once again underlined his tactical sharpness in T20Is, steering India to T20 World Cup glory with Suryakumar Yadav leading from the front. Since taking charge of the national side, Gambhir has overseen back-to-back ICC titles in the white ball formats, adding the Champions Trophy and the T20 World Cup to India’s cabinet.

Steve Harmison suggests that Gautam Gambhir took a dig at Virat Kohli and Rohit Sharma. (PTI)
Steve Harmison suggests that Gautam Gambhir took a dig at Virat Kohli and Rohit Sharma. (PTI)

From the outset, he has made his philosophy clear. Personal milestones hold little value for him, and he prefers not to single out individuals for landmark feats. Instead, Gambhir stresses selfless cricket, urging players to focus on what the team needs in the moment to secure victory. He repeated the same in a press conference after India won the T20 World Cup recently.

Meanwhile, former English paceman Steve Harmison reacted to Gambhir’s tone and underlying message in the comments. He enjoyed the Indian head coach’s remarks, adding that they seemed like a subtle dig at veteran Indian batters Virat Kohli and Rohit Sharma, who still play in ODIs.

“I enjoyed that from Gambhir. I thought it was a dig at Rohit and Virat, talking about not being interested in milestones and only about the team winning. I sometimes struggle with Gautam as a player and a coach. But I liked that little dig at Rohit Sharma and Virat Kohli,” Harmison said on talkSport Cricket YouTube channel.

Also Read – Sanjay Manjrekar calls out ‘serious blunders’, slams ‘warped logic’ on Sanju Samson’s treatment prior to T20 World Cup

“Interesting when Kohli, Rohit walk back into ODI dressing room”

Harmison looked ahead to how those comments could land once Kohli and Rohit return to the ODI setup, reflecting on the possible dressing room dynamics while noting that recent success has further strengthened Gambhir’s authority.

“It’ll be interesting when they walk back into the 50-over dressing room in the not-too-distant future, hearing that. He has got some kudos now because he has just won a trophy,” said Harmison.

Kohli and Rohit have stepped away from Tests and T20Is and now feature only in the ODI format, where they remain central to India’s plans. Both continue to pile up runs and shape results with their experience. Their consistency is reflected in the ICC rankings as well, with Kohli sitting second and Rohit close behind in fourth, underlining their enduring influence in the format.


Adah Sharma says she has been out of work for a month: `My life is ruined`

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Adah Sharma says she has been out of work for a month: `My life is ruined`



Adah Sharma says she has been out of work for a month: `My life is ruined`

Actress Adah Sharma revealed through her latest social media post that a producer ended up abusing her manager over date allocation for a film. 

In the video uploaded by Adah on her official Insta handle, she shared that she was shooting for three films, and after the dates of the first film kept changing, it ended up getting clashed with the schedules of the other two projects.

 
 
 
 
 
View this post on Instagram
 
 
 
 
 
 
 
 
 
 
 

A post shared by Adah Sharma (@adah_ki_adah)

However, the producer of the first film insisted Adah`s manager to give him the same dates at any cost, even using some harsh language.

“He said, “no matter what, I want these dates.” My manager asked, “are you sure?” He said, “yes, I want these dates. I`m sure. They can`t be changed,” said Adah.

Nevertheless, when the directors of the other two films found out about this, they graciously decided to change their dates without making a big deal out of it. The producer of the third drama was even forced to change the dates of the entire cast because of Adah.

“You must have heard a lot that the people in the industry are bad. But I want to tell you that there are good people as well. Not everyone is ill-mannered,” Adah pointed out.

Once everything was sorted, the producer of the first movie suddenly said that, “I don`t want those dates now,” leaving Adah out of work for a month now.

Sharing her ordeal with the netizens, Adah concluded the post saying, “My life is ruined. And now I have been idle for a month. Like fully, completely, emotionally, mentally, professionally, financially idle.”

Before this, Adah, who was praised for her work in The Kerala Story, talked about why she isn’t a part of the sequel.

She said, “I enjoy speaking about a film I am part of. When I`m not a part of a film, I feel speaking about it just to be in the news isn`t right. Whether I was offered the sequel or not is something that should remain between the makers and the actor and not really be discussed publicly. The first part was about ISIS camps in Afghanistan and showed step by step how an innocent girl ends up becoming a terrorist. Part 2 is a completely different story”.

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever




Will never talk about personal milestones in my tenure: Indian coach Gambhir

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Will never talk about personal milestones in my tenure: Indian coach Gambhir



Will never talk about personal milestones in my tenure: Indian coach Gambhir

Gautam Gambhir can never get tired of stating this one belief. In fact, he repeats it at every opportunity for anyone who hasn`t taken note — individual milestones won`t be celebrated in his tenure as head coach.

The latest reminder of this staunchly-held principle came from him after India picked up their third T20 World Cup trophy here on Sunday, hammering New Zealand by 96 runs in the final with a near-perfect all-round performance.

“I think my simple philosophy with Surya (India T20 captain Suryakumar Yadav) has always been that milestones don`t matter. It`s the trophies that matter. For too long in Indian cricket, we`ve spoken about milestones. And I hope, till I`m there, we`re not going to talk about milestones,” Gambhir, a two-time top scorer for his team in ICC global finals, said it forcefully.

The former BJP MP then urged the cricket media to celebrate “trophies” not “milestones”. “Stop celebrating milestones, celebrate trophies. That is going to be important, because the bigger purpose of a team sport is to be winning trophies, not scoring individual runs. It has never mattered to me, and it will never matter to me,” he reiterated.

“…I have been very fortunate that Surya and me were on the same page, especially on this front,” said Gambhir. No names were taken but it is not too difficult to understand who are the “milestone men” he was referring to.

In Indian cricket, it is an open secret that Gambhir has always found his game-changing 97 in the 2011 World Cup final or his 75 in the 2007 T20 World Cup summit clash being under-appreciated.

In both cases, it was Mahendra Singh Dhoni`s match-winning six (2011) and his master-stroke of giving Joginder Sharma the last over (2007) that became part of Indian cricket`s folklore.

Gambhir gave the example of Sanju Samson`s knocks in the “virtual quarter-final” against the West Indies and the ones he played in the semi-final and final as finest example of how to play a team sport.

“You can see it in the last three games, what Sanju did. 97 not out, 89, 88 (89). Imagine if you would have been playing for a milestone, probably we wouldn`t have got 250. So, I think this is for you guys as well,” Gambhir said.

Social media trash talk doesn`t matter

Many of Gambhir`s philosophies are debatable, there are inherent contradictions if one digs deeper but there is no denying that in the last two years, he has been less appreciated for India`s triumphs and almost always drawn criticism for the disasters.

The social media wars between fan groups haven`t helped his cause either. But the man doesn`t care for the opinion of those who are watching from the sidelines.

“First of all, my accountability is not towards any social media. My accountability is mostly towards those 30 people who are sitting in the dressing room
“…even if I win two ICC trophies as a coach, it really doesn`t matter because in the future, I think those 30 people matter the most to me in my coaching tenure, no one else matters,” intense as ever, he made his point quite clearly about the social media game.

Teams built on “trust” not “hope”

Those who haven`t tracked Gambhir`s journey during his formative years as a cricketer wouldn`t know that he was deeply impacted by the vagaries of team selection right from the time he played for Delhi.

Intensity became a synonym for his personality and a portrait of “Smiling Gambhir” became rarer than a Vincent Van Gogh oil painting. Once he became the coach, he knew that he had to make players believe that they won`t be treated unfairly.

So he backed Abhishek Sharma through his poor form, along with Sanju Samson and Ishan Kishan, who were battling their own issues. Ultimately, all three of them repaid the faith in the best way possible.

“I think you pick the team on trust and faith. You don`t pick on hope. So when you pick someone on trust and faith, you don`t lose that trust and faith after four or five games. As simple as it can get. I`ve never, ever felt that we`ve ever picked a team on hope,” he said.

“The trust and the faith that all of us had in the squad, that we had in the dressing room, irrespective of whether we would have won this tournament… The faith and trust would have exactly remained the same. “So for me, I think that is something which is very important. And that will never go away, the trust and faith.”

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever


'Mid-sized film has completely died': says director Suresh Triveni; talks about which movies get theatrical release

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'Mid-sized film has completely died': says director Suresh Triveni; talks about which movies get theatrical release


Filmmaker Suresh Triveni, known for movies such as Tumhari Sulu and Jalsa, has talked about how he thinks that “mid-sized films have completely died”. Speaking with Variety India, he further spoke about which films get theatrical releases. Though the filmmaker wants to show his work in cinema halls, he said he doesn’t want a “token release.” Suresh’s latest film is Subedaar, which was released on Prime Video.

Suresh Triveni's next film is the dark comedy, Maa Behen.
Suresh Triveni’s next film is the dark comedy, Maa Behen.

Suresh Triveni talks about films getting a theatrical release

Speaking to Variety India, Suresh said, “I realised with my first film is that the journey is not just about making it theatrical. In today’s changing mindset of the audience, you also need to pitch your film correctly and have that exposure when you’re going theatrical. In the case of Subedaar, Amazon was always attached to it right from the beginning. But the idea was that the film should be promoted. I don’t want a token release. There are many people who get a theatrical release, but no one gets to know them. Then what is the point?”

Suresh opens up about mid-sized films

He talked about how, post Covid-19, the dynamics of films in the entertainment industry have changed. “We are actually on the cusp of people still figuring out which side to go. And everyone has got their theory till the next theory disproves it. Pre-COVID, a mid-sized film could easily find itself on a big screen without any debate. What has happened now is there are only two kinds of cinemas which are finding theatres. Either the big star-led spectacle films or those independent releases where an independent individual producer goes about designing the film in a theatre and waits for things to happen. If you really look at it, the mid-sized film has completely died in recent times.”

About Suresh’s career

Suresh made his directorial debut with Vidya Balan-starrer Tumhari Sulu in 2017. He then directed Jalsa (2022), starring Vidya Balan and Shefali Shah. Suresh’s recent release Subedaar featured Anil Kapoor, Radhika Madan, Khushbu Sundar, Saurabh Shukla, Aditya Rawal, and Mona Singh.

Suresh’s next film is the dark-comedy, Maa Behen, starring Madhuri Dixit Nene, Triptii Dimri, Ravi Kishan and Dharna Durga. Maa Behen centres on Rekha and her two daughters, Jaya and Sushma, who find themselves at the centre of attention in their conservative neighbourhood after an unexpected incident leaves their neighbour’s dead body in their kitchen.

The story of the film is by Suresh and Pooja Tolani. The screenplay and dialogue have been written by Pooja. The film is produced by Vikram Malhotra and Suresh under Abundantia Entertainment, in association with Opening Image Films.


Tahir Raj Bhasin wraps shooting for Vikram Phadnis' untitled film

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Tahir Raj Bhasin wraps shooting for Vikram Phadnis' untitled film


Actor Tahir Raj Bhasin, known for his roles in Mardaani and Chhichhore, has finished shooting for an untitled film, directed by Vikram Phadnis.

Tahir Raj Bhasin on the sets of Vikram Phadnis' film.
Tahir Raj Bhasin on the sets of Vikram Phadnis’ film.

Also starring Vineet Kumar Singh and Saiyami Kher, the details about the film are kept under wraps.

Bhasin announced the news with a post on his Instagram handle on Monday. The first picture featured him alongside the filmmaker and Kher, followed by a series of behind-the-scenes pictures. In a lengthy caption, the actor credited the filmmaker and the entire crew of the film for their efforts.

“It’s a wrap. What a ride this one’s been. Thank you @vikramphadnis for writing and directing a part that is all heart and has been such a treat to play. Can’t wait to share your labour of love with the world,” he wrote.

“@ozajay a magician with the lens. Thank you for bringing your excellence and raising the aesthetic bar everyday. And to the endlessly energetic crew, assistants, and fantastic co-stars thank you for the madness and the journey. @saiyami @vineet_ksofficial @varunbajaj_ @chiragnb,” he added.

The film also reunites Singh and Kher after their 2025 release Jaat. It was directed by Gopichand Malineni and also starred Sunny Deol, Regina Cassandra and Randeep Hooda in pivotal roles.

It revolved around a traveller (Deol) seeking an apology from a crime boss (Hooda) in a lawless Andhra village, leading to intense clashes, gritty action, and themes of justice and corruption.


Elon Musk’s SpaceX weighs Nasdaq listing after biggest IPO of all time| Business News

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Elon Musk’s SpaceX weighs Nasdaq listing after biggest IPO of all time| Business News


Elon Musk’s rocket and satellite maker SpaceX is leaning toward listing its shares on the Nasdaq for what could rank as the biggest initial public offering of all time, according to four people familiar with the company’s thinking.

SpaceX wants early inclusion on Nasdaq 100 index, making it a necessary condition for a potential listing on the tech-heavy exchange. (Reuters)
SpaceX wants early inclusion on Nasdaq 100 index, making it a necessary condition for a potential listing on the tech-heavy exchange. (Reuters)

SpaceX wants early inclusion on the Nasdaq 100 index , making it a necessary condition for a potential listing on the tech-heavy exchange, two of the people said. Its plans could still change, said the people, who asked not to be identified because the discussions are confidential. Reuters has previously reported that SpaceX is planning an IPO, as early as June.

The New York Stock Exchange is also competing for SpaceX listing, and neither exchange has been informed of a decision either way, multiple people said.

The Nasdaq 100, owned by Nasdaq Inc., is seen as a premier blue-chip index by large institutional investors and serves as a barometer for the health of most of the world’s biggest publicly traded names, including megacap technology stocks like Nvidia Corp., Apple Inc. and Amazon.com Inc. The Nasdaq 100 gained about 21% last year and is slightly lower so far this year. Nasdaq proposed a new rule last month that could potentially speed up the addition of newly listed megacap companies to the Nasdaq 100 index.

Nasdaq ‘fast-entry’ rule for the likes of SpaceX IPO

The proposed change, which is not final and could take several months to take effect, is designed to entice richly valued private firm like SpaceX, Anthropic and OpenAI, among others, to list on the exchange, two of the sources said.

Under Nasdaq’s “Fast Entry” rule, versions of which are being considered by some other indexes, a newly listed company would be eligible for accelerated inclusion on the Nasdaq 100 in just under a month if its market capitalisation ranks among the index’s top 40 current members.

SpaceX is seeking a valuation of around $1.75 trillion for the IPO, one of the people said, which would make it the sixth-largest company by market value in the US, based on the latest share prices.

Newly listed companies currently have to wait up to a year before they are eligible for entry into major indexes like the S&P 500 or the Nasdaq 100, first needing to demonstrate to investors that they are stable enough to handle the volume of buy orders from institutional investors.

Benefits of listing on Nasdaq

Admission to a blue-chip index like the Nasdaq 100 or the S&P 500 gives companies increased access to the deep-pocketed institutional investors who typically buy sizeable positions for their own index funds, broadening their shareholder base and improving liquidity over time.

While the NYSE has a similar index that tracks its 100 largest US stocks, it is less widely followed by investors, making inclusion in the Nasdaq 100 especially influential for megacap IPOs.

For executives and early investors, that deeper liquidity could reduce the market impact of large sell orders once lockup periods expire, typically 90 to 180 days after an IPO, though it is no guarantee that a large wave of insider selling will not still weigh on the share price.

SpaceX did not return requests for comment.

Reuters reported in February that advisers for SpaceX have reached out to major index providers including Nasdaq to discuss joining key indexes sooner than normal. SpaceX’s stock market debut is expected to be the highlight of what is shaping up as one of the busiest years for IPOs in recent memory, with several high-profile venture-backed companies and startups including OpenAI and Anthropic laying the groundwork for their respective debuts.