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2021 T20 World Cup: Bio bubbles and Aussie ascendancy

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2021 T20 World Cup: Bio bubbles and Aussie ascendancy


New Delhi: Given the wafer-thin attention spans, it is easy to forget that cricket, just about five years ago, was played in a bio-secure bubble. With the world still coming to terms with the havoc caused by the Covid-19 pandemic and the debate around vaccines, embracing what was called the ‘new normal’ became imperative.

Australian team with the 2021 T20 World Cup. (Getty Images)
Australian team with the 2021 T20 World Cup. (Getty Images)

Cricketers spoke of bubble fatigue, mental health and safety protocols, and you know things have come to a head when even the Indian Premier League (IPL) schedule is changed — IPL 2021 was suspended in India and moved to United Arab Emirates after much uproar. With the toll mounting, a sporting spectacle was not the priority anymore. The 2021 T20 World Cup was played amid such overarching moral dilemma.

The tournament was originally scheduled in Australia in October-November 2020, but was postponed by a year because of Covid. It was then moved to India due to entry restrictions in Australia, but considering the pandemic situation, it was moved to the UAE and Oman with Board of Control for Cricket in India (BCCI) remaining the official hosts.

A five-year gap after the previous T20 World Cup meant the format had undergone a sea change. As evidenced by the big-hitting West Indies batters in the 2016 edition, teams realised the merit in power-hitting. The hard lengths were not hard to hit anymore and as batters grew brave and inventive with stroke play, rival captains began to rely on mystery spin and slower ball variations to disrupt the rhythm. The event also set right an enduring anomaly — that of Australia not winning the trophy.

An unstoppable force in the 50-over World Cup, the Aussies had inexplicably failed to lift the T20 trophy despite their arsenal. They did come close — runners-up in 2010 and semi-finalists in 2007 and 2012 — but it was only in 2021 that they went all the way.

Led by an astute Aaron Finch, Australia won six of their seven matches, none more impressive than taking down an in-form Pakistan bowling attack in the semi-final. With Australia needing 62 runs in five overs, Pakistan would have fancied their chances. But left-handed Matthew Wade smashed Shaheen Shah Afridi for three sixes in the 19th over to take Australia into the final with an over to spare.

The final against New Zealand was a comprehensively one-sided affair. The Kiwis, riding on skipper Kane Williamson’s 48-ball 85, scored 172/4 on what was perhaps the best pitch Dubai had rolled out in the tournament. Australia, powered by a 50-ball 77* from Mitch Marsh, crossed the line with seven balls to spare and eight wickets in hand. Brimming with allrounders Marsh, Glenn Maxwell, Marcus Stoinis, and even Pat Cummins, Australia’s success underlined the value of multi-dimensional cricketers who could be used for specific match-ups and as cover for frontline practitioners having an off-day.

It was also sweet redemption for David Warner, who was adjudged Player of the Series. The aggressive opener was stripped of captaincy in the middle of IPL by Sunrisers Hyderabad and eventually lost his place in the eleven. Days later, he had hammered 289 runs in the World Cup to prove his mettle.

For ‘hosts’ India, the tournament was a bit of a nightmare with their proud, unblemished World Cup record against bitter rivals Pakistan ending on a tacky Dubai track. Shaheen Afridi exploited the early swing to perfection, getting the ball to swerve in beautifully to account for openers Rohit Sharma and KL Rahul inside the Powerplay. Jolted early, the Indian innings gasped for momentum, huffing and puffing to a below-par 151/7 in 20 overs.

That India got that much was down to skipper Virat Kohli’s 49-ball 57. He anchored the innings in the middle overs before a brief late assault. Rishabh Pant was the only other Indian batter to cross 30 that night.

India had a potent attack in Mohammed Shami, Bhuvneshwar Kumar, Hardik Pandya, Jasprit Bumrah, Varun Chakravarthy and Ravindra Jadeja, but Babar Azam and Mohammad Rizwan were impenetrable. Chakravarthy roped in ahead of R Ashwin for his mystery spin, struggled. The dew quickened the pitch and made life tough for the Indian spinners as they struggled to grip the ball. That shouldn’t take anything away from the Pakistan openers, who put up a masterclass to seal a 10-wicket win.

Days later, an eight-wicket hammering at the hands of New Zealand sealed India’s fate. Wins against Afghanistan, Scotland and Namibia followed but with only the top two progressing, India endured an early exit.

Kohli, having announced he would step down as T20I skipper before the tournament, lost his ODI captaincy months later. Other casualties included Chakravarthy, who didn’t play another T20I for three years, leggie Rahul Chahar, who hasn’t played a T20I since, and Shardul Thakur, who played only once since that World Cup.


US stock market today: Wall Street opens higher as investors await Nvidia earnings

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US stock market today: Wall Street opens higher as investors await Nvidia earnings


US stock market today: Wall Street opens higher as investors await Nvidia earnings

US Wall Street’s main indices opened higher on Wednesday, recovering after recent volatility as investors weighed concerns surrounding the AI trade and uncertainty over tariffs ahead of Nvidia’s earnings later in the day (local time).The Dow Jones Industrial Average rose 183.1 points, or 0.37%, to 49,357.63 at the open. The S&P 500 gained 25.1 points, or 0.36%, to 6,915.15, while the Nasdaq Composite advanced 141.3 points, or 0.62%, to 23,005.008.Nvidia remains at the centre of the AI-driven market narrative, with its chips playing a pivotal role in the ongoing surge in artificial intelligence investments. The company has become one of the most influential stocks on Wall Street.Analysts are projecting another strong earnings performance, with Nvidia’s profit expected to jump nearly 70 per cent year-on-year to $37.52 billion. Such a result would translate into daily earnings exceeding $400 million during the three months through January 25.Nvidia’s earnings reports have increasingly served as a barometer for broader market trends, given the company’s size and AI’s outsized influence on equities. In recent years, enthusiasm around AI helped propel markets to repeated record highs, driven by expectations of productivity gains and improved corporate profitability.However, investor concerns have intensified over the sustainability of heavy AI-related spending. Market participants are closely watching whether major technology companies such as Alphabet and Amazon can generate sufficient returns on their substantial investments in AI infrastructure and chips. Any slowdown in capital expenditure could directly impact Nvidia.Investors have also begun reassessing sectors perceived as vulnerable to AI-led disruption, triggering sharp sell-offs across industries ranging from software to logistics and legal services.“While those concerns are real, we believe investors would be wise to balance them out with offsetting trends that may be underappreciated in the current wall of worry headline cycle,” said Darrell Cronk, Chief Investment Officer for Wealth & Investment Management at Wells Fargo.One such offsetting trend has been the steady growth in corporate earnings reported by large US companies, which has supported segments of the market previously overshadowed by AI-focused stocks, particularly smaller firms.Shares of Cava Group surged 18.6 per cent after the Mediterranean restaurant chain posted stronger-than-expected profit and revenue. The company also reported annual revenue exceeding $1 billion for the first time, marking a 22.5 per cent increase from a year earlier.Similarly, Axon Enterprise jumped 16.5 per cent following better-than-expected earnings, aided by demand for its Tasers, body cameras, and AI-powered solutions.The gains helped counterbalance weakness in First Solar, whose shares fell 14.2 per cent after reporting profit below market expectations.


Movie Review: Immigration, sex and power in erotic thriller ‘Dreams,’ with Jessica Chastain

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Movie Review: Immigration, sex and power in erotic thriller ‘Dreams,’ with Jessica Chastain


Jessica Chastain takes on one of her most daring roles in “Dreams,” a torrid erotic thriller about power, obsession, art and immigration. Re-teaming with filmmaker Michel Franco , she plays a San Francisco socialite entangled in a tempestuous affair with a talented Mexican ballet dancer, played by Isaac Hernández. Her character Jennifer, the well-heeled daughter of a powerful man, is like Shiv Roy before she went to the dark side; Or, rather, realized she was there all along.

Movie Review: Immigration, sex and power in erotic thriller ‘Dreams,’ with Jessica Chastain
Movie Review: Immigration, sex and power in erotic thriller ‘Dreams,’ with Jessica Chastain

“Dreams,” which opens in limited release Friday, creatively explores ideas about U.S. relations with Mexican immigrants through the ever-shifting power dynamics between Fernando and Jennifer. It’s both captivating and bleak, with a series of sexual encounters that can only be described as feral — “Wuthering Heights” wishes it could have hit the ravenous peaks of Fernando and Jennifer together.

Franco opens his film not on these two, but on a semitruck in the middle of the night, in the middle of nowhere. All we can hear are chilling screams and pounding from those inside. When the doors are later opened, migrants pour out of the truck including the man who we’ll come to know is Fernando, who simply walks away. He walks and walks and walks: Through the night, through the day, in a machinelike trance until he’s forced to stop for water.

Eventually we learn where he’s going with such purpose when we hear him speak for the first time, asking drivers at a gas station, in perfect English, if he can get a ride to San Francisco. When he arrives, he goes straight to a fancy townhouse; After the doorbell goes unanswered, he finds the spare keys, enters and gets himself a snack out of the fridge with all the casualness of someone who has not only been there before, but who’s comfortable there as well. We understand this is not a break in — but what is it? Later that night Jennifer arrives and does not look that surprised to see him in her bed.

The film keeps exposition sparse, challenging the audience to figure it out as they go along. These two have a history that seems to have started in Mexico where Jennifer oversees a dance foundation. Her brother makes fun of her interest in Mexico and her frequent trips there, scoffing that their money should go to Americans. She calls him a jerk but laughs too as a Mexican woman cleans up around them in a plush boardroom. Those juxtapositions between the invisible workers and the wealthy are everywhere in “Dreams.”

In San Francisco, Fernando is Jennifer’s secret. In private, they’re inseparable. In public, he’s something to be hidden from anyone who knows her or her father. After a little bit of this dance, Fernando decides he’s had enough and disappears. Jennifer goes a bit mad trying to find him; flying to visit his parents in Mexico City , hiring a private investigator. Then he reappears one day in front of the San Francisco Ballet. He’s dancing for a ticket to the show and ends up with a job in the company after catching the right eye. Suddenly he’s found not just a place in Jennifer’s rarefied world, but a starring role, purely on talent and without her help at all.

For a brief moment, they find their way back to one another, and she attempts to be more public with their relationship. But still, she defaults to calling him anything but her boyfriend; Then her family gets wind of what’s happening and that fantasy comes crashing down. Not too long after U.S. Immigration and Customs Enforcement come for Fernando while he’s in rehearsal as the ballet company’s lead.

Hernández in his film debut is a beguiling presence as an actor and utterly transcendent as a dancer, which we get to see a lot of. The film lets the audience bask in their elegant weightlessness as they rehearse the thematically apt “Swan Lake.”

The story takes on an even more sinister air when Jennifer and Fernando reunite in Mexico. She wants to keep him there, as her plaything, to visit. All he wants to do is get back into the U.S. And the power balance shifts and shifts again to dizzying, horrific ends.

“Dreams,” a Greenwich Entertainment release in select theaters Friday, has not been rated by the Motion Picture Association. Running time: 98 minutes. Three stars out of four.

This article was generated from an automated news agency feed without modifications to text.


Beyond the whites: How social media and style mark a new chapter in tennis after Federer, Nadal and Djokovic | Tennis News

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Beyond the whites: How social media and style mark a new chapter in tennis after Federer, Nadal and Djokovic | Tennis News


Beyond the whites: How social media and style mark a new chapter in tennis after Federer, Nadal and Djokovic
Arthur Fils, Carlos Alcaraz and Andrey Rublev (Getty Images)

Dubai: The lines are blurring for today’s top tennis pros, chalk markings smudging the clean cuts of the fashion world.Arthur Fils, the 21-year-old ranked No. 34 on the ATP Tour, was recently signed by luxury fashion house Balenciaga. The talented Frenchman, who pulled out of the Dubai Duty Free tennis tournament with a strained hip, spends up to 15 minutes in front of his wardrobe deciding what to wear for dinner.“I take this, this and this and the mix always works. I’m pretty simple. I don’t go with crazy things,” he told TOI in an exclusive chat about his choices, which aren’t very different from what he does on the court. “Tennis is much more open now. More new brands are coming into the sport, we’re also signing with luxury brands. We are invited to a lot of events and there’s much more media now.”In the Carlos Alcaraz–Jannik Sinner era, forehands meet fashion collaborations, global luxury powerhouses walk alongside sports brands expanding into athleisure. The game’s new icons are not just chasing trophies; they are setting the tone for a generation that treats tennis as a vibe and lifestyle as much as grind and legacy.If the Roger Federer–Rafael Nadal–Novak Djokovic years were defined by sculpted perfection, the Alcaraz–Sinner era is about expression.Alexander Bublik, the second seed at the Dubai Duty Free Tennis Championships, points to age. He is 16 years younger than Federer and more than a decade younger than Nadal and Djokovic. Bublik, 28, ranked No. 10, was already on Tour when Alcaraz, 22, and Sinner, 24, emerged.“For me it was about looking up to them,” Bublik said of the golden generation. “We’re not friends; we are not going to be friends. With Carlos and Jannik it is a friendly relationship. Carlos is a funny guy, very, very loud. He wears crazy gear and Jannik is more style and elegance, an ice-cold approach on the court.”Bublik, who noted that these were much cooler times, as against the result-oriented stretch of the game’s golden era, said that back home in Kazakhstan or Russia, he even had movie offers.Andrey Rublev, whose unruly mop mirrors his temperament, calls it “a generational thing”.“Each generation had to contend with something,” he said. “Before Roger and Rafa, it was Sampras and Agassi; before that it was McEnroe and Borg. That was a different time, with no social media. They were doing many more things outside the court. In the time of Roger and Rafa, social media started and tennis also became more professional. Players were more kind of locked down, super professional.”“Now there’s a new generation, like the TikTok generation, so it’s just different,” the 28-year-old Russian said.Fils, for his part, admires the unapologetically expressive style of Formula One champion Lewis Hamilton.“There’s a lot of character in Lewis Hamilton’s style. When he goes anywhere, everyone looks at him because of what he’s wearing; it looks great on him. I like fashion and now I can wear a lot of cool stuff that I really like. So every time I’m going out to dinner or whatever, I try to put on something cool.”In a sport once defined by whites and restraint, self-expression is no longer a sideshow; it is part of the main event. The new generation is as comfortable fronting fashion campaigns as it is trading blows from the baseline, unafraid to let personality sit alongside performance.For the likes of Fils and his peers, style is not a distraction but a declaration. The forehand still does the talking, but increasingly, so does the fit.


Javed Akhtar reviews Assi: Very few films manage to touch your heart and mind

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Javed Akhtar reviews Assi: Very few films manage to touch your heart and mind



Javed Akhtar reviews Assi: Very few films manage to touch your heart and mind

Veteran writer and lyricist Javed Akhtar has shared his thoughts on Anubhav Sinha’s latest release Assi. The film was released in theatres on February 20 and stars Taapsee Pannu and Kani Kusruti in the lead roles. According to a report in India Today, the 80-year-old lauded the film, saying that it compels viewers to think.

Javed Akhtar reviews Assi

Javed Akhtar reportedly said, “Some pictures touch your heart. Some films operate on an intellectual level- they engage your mind. But very few films manage to touch both your heart and your mind at the same time. I believe Assi is one such film.”

The lyricist added that the film will leave a strong impact on audiences and raise important questions before society. “On one level, it is a deeply emotional story that will resonate with ordinary people. But on another level, it leaves behind some very serious questions. It does not hand out easy answers. Instead, it places those questions before society,” he said.

Akhtar further stated that the film has been made in a graceful manner and will make viewers reflect on their surroundings. “Anyone who thinks deeply, who pays attention to what is happening around us, will walk away from this film reflecting on it. It has been narrated in a very graceful and compelling manner. Ultimately, the film leaves you with both answers and questions,” he concluded.

About Assi

Based on harrowing everyday news, Anubhav Sinha’s Assi is a film that makes audiences confront uncomfortable truths often ignored. Alongside Taapsee and Kani, the film features Revathy, Manoj Pahwa, Kumud Mishra, and Mohammed Zeeshan Ayyub, with special appearances by Naseeruddin Shah, Supriya Pathak, and Seema Pahwa.

In an earlier statement, Anubhav Sinha said, “For me, my film has to hit the core of the story. With Assi, it felt like a loud thud exactly where it should. That impact compelled me to make this film. The story draws from everyday news- realities we often choose to ignore. To tell a story like this, Taapsee is a natural; you just take her there and she delivers her best. And with Bhushan Kumar backing a film like Assi, we know we’re striking the nail in the right place.”


What El Mencho’s death means for Mexico’s cartels | News

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What El Mencho’s death means for Mexico’s cartels | News


Mexico kills cartel leader El Mencho. Violence erupts nationwide. What changes now?

Mexico says it killed El Mencho, leader of the powerful Jalisco New Generation Cartel. Within hours, highways burned and violence spread across multiple states. His death is being called a victory, but removing a kingpin doesn’t dismantle a cartel. What changes now for Mexico, and what doesn’t?

In this episode: 

Episode credits:

This episode was produced by Noor Wazwaz, Sonia Bhagat, and Marcos Bartolome, with Spencer Cline, Tamara Khandaker, Tuleen Barakat and our host, Malika Bilal. It was edited by Sarí el-Khalili.

Our sound designer is Alex Roldan. Our video editors are Hisham Abu Salah and Mohannad al-Melhemm. Alexandra Locke is The Take’s executive producer. Ney Alvarez is Al Jazeera’s head of audio. 

Connect with us:

@AJEPodcasts on Twitter, Instagram, Facebook




Ravindra claims four wickets; New Zealand win by 61 runs against Sri Lanka

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Ravindra claims four wickets; New Zealand win by 61 runs against Sri Lanka



Ravindra claims four wickets; New Zealand win by 61 runs against Sri Lanka

In the Super 8 match of the T20 World Cup 2026 against Sri Lanka, New Zealand emerged victorious by 61 runs at the R Premadasa International Cricket Stadium in Colombo.

In an attempt to chase a target of 169 runs, Sri Lanka managed to reach 107 runs for the loss of eight wickets in 20 overs. Opening the innings, Pathum Nissanka was dismissed on a one-ball duck. Wicketkeeper-batsman Kusal Mendis scored 11 runs in 22 balls, including a boundary.

Charith Asalanka scored five runs in nine balls, including a boundary. Pavan Rathnayake departed after scoring 10 runs in 18 balls. Kamindu Mendis accumulated 31 runs in 23 balls, laced with four boundaries. Skipper Dasun Shanaka scored three runs in five balls. Dushan Hemantha also scored three runs in six balls. Dunith Wellalage smashed 29 runs off 23 deliveries, including two boundaries and a maximum.

Dushmantha Chameera and Maheesh Theekshana stayed unbeaten on seven and one runs, respectively. Chameera`s innings included 12 balls, whereas Theekshana faced just one ball.

New Zealand`s Rachin Ravindra returned with the figures of four wickets for 27 runs in four overs. Matt Henry bagged two wickets by conceding three runs in two overs. Skipper Mitchell Santner and Glenn Phillips claimed one wicket each. Cole McConchie, Lockie Ferguson, and Ish Sodhi went wicketless in the T20 World Cup 2026 match against Sri Lanka.

Earlier, having put to bat first, New Zealand`s wicketkeeper-batsman Tim Seifert scored eight runs in nine balls, including a boundary. Fellow opening batsman Finn Allen accumulated 23 runs in just 13 balls, with the help of three boundaries and a maximum.

Facing 22 deliveries, Rachin Ravindra played a knock of 32 runs, which was laced with three boundaries and a maximum. Glenn Phillips departed after scoring 18 runs in 18 balls. His knock also included a boundary. Daryl Mitchell scored just three runs in seven balls. Mark Chapman was dismissed on a two-ball duck.

Later, skipper Mitchell Santner delivered a stunning knock of 47 runs off just 26 deliveries, which was laced with two boundaries and four maximums. Shouldering him was Cole McConchie stayed unbeaten on the score of 31 runs. Facing 23 balls, he smashed three boundaries and two maximums. With this, the “Black Caps” posted a total of 168 runs for the loss of seven wickets in 20 overs.

Sri Lanka`s Maheesh Theekshana claimed three wickets for just 30 runs in his spell of four overs. Dushmantha Chameera also bagged three wickets by conceding 38 runs in four overs. Dilshan Madushanka, Dushan Hemantha, and Charith Asalanka went wicketless in the T20 World Cup 2026 match against New Zealand.


Rajpal Yadav responds after students who sent him their savings get 'upset' with his reaction

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Rajpal Yadav responds after students who sent him their savings get 'upset' with his reaction


Students of a gurukul school in Uttar Pradesh’s Shahjahanpur district have expressed disappointment after actor Rajpal Yadav did not meet them despite their earlier gesture of sending him money collected from their pocket savings while he was in jail.

Rajpal Yadav is famous for his popular comedy roles in Hindi films.
Rajpal Yadav is famous for his popular comedy roles in Hindi films.

Rajpal, however, said he had not yet had the opportunity to spend time with his family members properly and added that he would definitely meet them, hug them and take photographs with them.

According to school authorities, around 40 students of Gurukul Seva Trust filled a piggy bank with money saved from their pocket expenses and sent it to Rajpal’s ancestral village address in Kundra by post on February 21 as a token of support when he was lodged in jail. The children also enclosed an emotional letter expressing their desire to meet him after his release.

In a 29-second video that has gone viral, the students are heard saying, “Namaste Rajpal bhaiya, we have learnt that you have returned home after being released from jail. Congratulations to you. We all want to meet you and know whether you received the help we sent. If you did, why did you not respond to our letter? We are upset with you.”

The children further said in the video that even if he could not meet them, he could at least have spoken to them to reassure them.

Speaking to PTI over the phone, Rajpal said he had only recently returned home and had not yet had the opportunity to properly sit with his family members. He said he was gathering details about those who had extended help to him.

“As far as meeting the children is concerned, I was told they were from an orphanage. In my view, if children have an ashram, they are not orphans,” he said.

When informed that the children were from a gurukul school, Rajpal said, “I am a person who believes in the guru tradition, and all those children are my own. I will definitely meet them, hug them and take photographs with them.”

Kumar Sagar, chairman of the Gurukul Seva Trust school, told PTI on Wednesday that the piggy bank was filled collectively by the students, and some additional amount was also added before it was sent.

Rajpal had taken a loan of ₹5 crore in 2010 from Murli Projects Private Limited for his film Ata Pata Lapata. He was later sent to jail after failing to repay the loan. It was during that period that the children sent their savings to him as a small gesture of support, the school authorities said.

Rajpal, famous for his popular comedy roles in Hindi films, hails from Shahjahanpur in UP.


Ravi Shastri warns defending champions must act fast to save T20 World Cup semi-final hopes | Cricket News

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Ravi Shastri warns defending champions must act fast to save T20 World Cup semi-final hopes | Cricket News


‘The shake-up India needed’: Ravi Shastri warns defending champions must act fast to save T20 World Cup semi-final hopes
Axar Patel with teammates. (AP Photo)

NEW DELHI: India’s crushing defeat to South Africa may have dented their semi-finals hopes, but former head coach Ravi Shastri believes the setback could be the “shake-up” the title favourites desperately needed — provided they respond immediately.Go Beyond The Boundary with our YouTube channel. SUBSCRIBE NOW!Speaking ahead of the must-win Super 8 clash against Zimbabwe, Shastri warned that another slip could push India to the brink of elimination.“You win 12 matches on the trot, there’s bound to be an off day. And I’m glad it has come early. It might just be the shakeup India needed,” Shastri said. “It might also make them rethink their strategy as to the composition of the side going ahead.”

India’s Playing XI: A big headache for Gautam Gambhir, Suryakumar Yadav

India’s 76-run loss ended a dominant run and left them with no margin for error. Shastri made it clear that the team must quickly learn and adapt.“They would have learned from that last experience that they’re not going to take things for granted because in this Super Eight if you lose one more match, then you’re really putting yourself under serious pressure,” he cautioned.ALSO READ: What India must do to stay alive at T20 World CupAxar Patel’s return key to revivalShastri stressed that India must urgently strengthen their bowling options, calling for the immediate return of vice-captain Axar Patel.

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What should be India’s top priority after the South Africa loss?

“They have to bring him back. You need that experience. I would say play both,” he said, referring to Axar and Washington Sundar. “Give yourself that extra option. Because on a given day, you’re bound to have one bowler who’s going to have an off day.”He also dismissed concerns about batting depth if Axar returns.“If eight batters can’t do the job in T20 cricket, then something’s wrong, especially with that kind of firepower,” Shastri said. “Where you’re missing out is you’re not giving yourself that extra option of a bowler, which I think is important.”For India, the equation is simple now. The warning signs have arrived. The shake-up has happened. Their semi-final fate will depend on how quickly they respond.


Ekta Kapoor on releasing Akshay Kumar's Bhooth Bangla just weeks after release of Ranveer Singh's Dhurandhar 2, Toxic

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Ekta Kapoor on releasing Akshay Kumar's Bhooth Bangla just weeks after release of Ranveer Singh's Dhurandhar 2, Toxic


Producer Ekta Kapoor says it was a conscious decision to schedule her upcoming production, the Akshay Kumar-starrer Bhooth Bangla, just a few weeks after the release of two high-octane action Dhurandhar 2 and Toxic: A Fairy Tale for Grown-Ups.

Bhooth Bangla is presented by Ekta Kapoor's production house, Balaji Motion Pictures.
Bhooth Bangla is presented by Ekta Kapoor’s production house, Balaji Motion Pictures.

Aditya Dhar’s Dhurandhar 2, the much-awaited second part of Dhurandhar, which came out in December 2025 and earned over ₹1300 crore globally, is set for a box office clash with Toxic: A Fairy Tale for Grown-Ups, headlined by Yash, on March 19.

Bhooth Bangla, a horror comedy from acclaimed filmmaker Priyadarshan, will make its debut on April 10. “By the time we will release our film, both Dhurandhar and Toxic would have had a good run. Our film releases when the exams of some school students would’ve been over and it will be a holiday period. Like, my son is in IB board, his exams will conclude in May,” she told PTI in a media group interaction.

“But most importantly, families like watching these films. The idea is to bring another kind of entertainment, like there should be different kinds of films being made for audiences,” Ekta added.

Bhooth Bangla marks a reunion between Priyadarshan and Akshay after a 14-year hiatus. It is presented by Ekta’s production house, Balaji Motion Pictures, a division of Balaji Telefilms Ltd, in association with Akshay’s banner Cape of Good Films.

Calling the actor-director duo “soulmates”, Ekta said she was excited about bringing the two creative forces together.

“The film is vintage Priyadarshan and Akshay sir (kind of a film). When we wrote Bhooth Bangla and went to Akshay sir, he heard and liked it. The only thing we told him is that we wish that Priyadarshan would direct the film, and he instantly jumped at the idea,” she continued.

“We then took it to Priyadarshan sir, he loved the script and made certain changes,” the producer said, on the sidelines of the preview of the song, Ram Ji Aake Bhala Karenge from the film.

Besides Akshay, Bhooth Bangla, will also feature Wamiqa Gabbi, Paresh Rawal, Tabu and Rajpal Yadav. It will also include a posthumous appearance by veteran actor Asrani, who died in October 2025.

“The five actors Rajpal Yadav, Asrani, Paresh Rawal, Tabu and Akshay sir, are a deadly combination when they are in Priyadarshan zone,” Ekta said.

Asked her if she is planning to turn Bhooth Bangla into a franchise, and the producer said, “Franchise are not made or planned, if it works then it turns into a franchise.”