Tuesday, September 29, 2026
Home Blog Page 738

IPL 2026: RCB struggling at 89/5 at the end of 10 overs against RR

0
IPL 2026: RCB struggling at 89/5 at the end of 10 overs against RR



IPL 2026: RCB struggling at 89/5 at the end of 10 overs against RR

Royal Challengers Bengaluru are struggling at 89 runs for the loss of 5 wickets at the end of 10 overs. Riyan Parag won the toss and elected to bowl first at Guwahati.

Phil Salt was dismissed for a first-ball duck by Jofra Archer, who was on the mark from the first ball. Virat Kohli and Devdutt Padikkal built a partnership together before Padikkal was dismissed for 14.

Virat Kohli was the star of RCB`s batting as he scored 32 off just 16 balls. However, the Indian star was dismissed by Ravi Bishnoi. Kohli`s wicket started a fall free fall for RCB as they lost 5 wickets by the end of 10 overs.

For RR, Archer was the star as he took 2/33 from his 3 overs. Bishnoi was back among wickets too as he took 2/6 in just 2 overs.

With captain Patidar still at the crease, RCB will hope to put on a competitive total on the board.

Having won the toss, RR decided to bowl first.

“We`re going to be bowling. It was supposed to be a dry wicket, but it has been raining for the last couple of days and it rained a bit today as well. So there`s going to be a little moisture. We`re trying to extract it, but it seems like a really good wicket. Feels great. I think we`ve been very clinical before the start of the tournament. My message to the team was that we want to be a really pure team that plays really strategic cricket, really smart cricket. So hopefully we keep on assessing and adapting as we have been in the first three games and hopefully come up with really good points.” Riyan Parag said.

Playing XI for both teams:

Rajasthan Royals (Playing XI): Yashasvi Jaiswal, Dhruv Jurel(w), Riyan Parag(c), Shimron Hetmyer, Donovan Ferreira, Ravindra Jadeja, Jofra Archer, Nandre Burger, Sandeep Sharma, Ravi Bishnoi, Brijesh Sharma

Royal Challengers Bengaluru (Playing XI): Virat Kohli, Philip Salt, Devdutt Padikkal, Rajat Patidar(c), Jitesh Sharma(w), Tim David, Romario Shepherd, Krunal Pandya, Bhuvneshwar Kumar, Abhinandan Singh, Josh Hazlewood


Gold price today (April 10, 2026): How much 22K, 24K gold costs in your city? Check prices in Delhi, Hyderabad & more

0
Gold price today (April 10, 2026): How much 22K, 24K gold costs in your city? Check prices in Delhi, Hyderabad & more


Gold price today (April 10, 2026): How much 22K, 24K gold costs in your city? Check prices in Delhi, Hyderabad & more

Gold prices traded lower in futures markets on Friday, tracking weak global cues and softer spot demand.Data from the Multi Commodity Exchange (MCX) showed that the June contract fell by Rs 1,363, or 0.89%, to Rs 1,52,071 per 10 grams, with a business turnover of 2,219 lots. Analysts attributed the decline to subdued global trends. In the international market, gold futures slipped 0.48% to $4,743.99 per ounce in New York, according to PTI.In the physical market, retail gold prices showed a mixed trend across cities, with declines in some centres and gains in others due to local factors such as taxes and demand conditions.

Gold price in Delhi today

In the national capital, 24K gold was priced at Rs 15,163 per gram, down Rs 234, while 22K gold stood at Rs 13,900 per gram, lower by Rs 215.

Gold price in Mumbai today

Mumbai saw 24K gold at Rs 15,148 per gram, down Rs 234, with 22K gold quoted at Rs 13,885 per gram, lower by Rs 215.

Gold price in Chennai today

In Chennai, 24K gold was trading at Rs 15,409 per gram, up Rs 136, while 22K gold came in at Rs 14,125 per gram, higher by Rs 125.

Gold price in Kolkata today

Kolkata markets had 24K gold at Rs 15,148 per gram and 22K gold at Rs 13,885 per gram.

Gold price in Hyderabad today

Gold prices in Hyderabad placed 24K gold at Rs 15,300 per gram, up Rs 152, with 22K gold at Rs 14,025 per gram, higher by Rs 140.

Gold price in Bangalore today

In Bangalore, 24K gold was quoted at Rs 15,300 per gram, while 22K gold was at Rs 14,025 per gram.

Gold price in Bhopal today

Bhopal recorded 24K gold at Rs 15,305 per gram, up Rs 152, while 22K gold was at Rs 14,030 per gram, higher by Rs 140.

Gold price in Ahmedabad today

Ahmedabad saw 24K gold at Rs 15,305 per gram, up Rs 152, and 22K gold at Rs 14,030 per gram, higher by Rs 140.

Gold price in Jaipur today

In Jaipur, 24K gold stood at Rs 15,163 per gram, down Rs 234, with 22K gold at Rs 13,900 per gram, lower by Rs 215.

Gold price in Lucknow today

Lucknow recorded 24K gold at Rs 15,163 per gram, down Rs 234, while 22K gold was at Rs 13,900 per gram, lower by Rs 215.

Gold price in Patna today

Patna markets showed 24K gold at Rs 15,305 per gram, up Rs 152, and 22K gold at Rs 14,030 per gram, higher by Rs 140.


Guwahati weather, RR vs RCB: What is the cut-off time for a five-over IPL 2026 match? | Cricket News

0
Guwahati weather, RR vs RCB: What is the cut-off time for a five-over IPL 2026 match? | Cricket News


RR vs RCB, Guwahati weather: What is the cut-off time for a five-over IPL 2026 match?
Heavy showers delay the toss (PTI Photo)

NEW DELHI: The start of the IPL 2026 match between Rajasthan Royals (RR) and Royal Challengers Bengaluru (RCB) in Guwahati has been affected by rain, with heavy showers delaying the toss. While rain is expected to ease later, overcast conditions could still play a role during the game. If delays continue, there is still a window to complete a shortened match, with the cut-off time for a five-over game set at around 10:56 PM IST.Guwahati, usually lively, appeared unusually calm due to state elections, with roads empty and less buzz around the IPL matches.

Watch

How Justin Langer’s belief helped Mukul Choudhary shine

According to multiple reports, the stadium turnout has also been lower than expected, even for big teams. However, some dedicated fans still gathered, many wearing jerseys of Virat Kohli, hoping to see their favourite stars. The pre-match atmosphere was subdued, with several key players skipping practice while bench players took to the nets. Both teams come into this match in strong form, battling for the top spot in the standings. RCB aim to build on their recent momentum, while RR are focused on continuing their resurgence. Their head-to-head record is close, with RCB holding a slight edge.The match, scheduled for 7:30 PM IST at the ACA Stadium, is expected to go ahead despite earlier rain interruptions. A key highlight will be the contest between RCB’s pace attack and RR’s opening batters in Yashasvi Jaiswal and Vaibhav Sooryavanshi. With both teams in top, unbeaten form, this game could decide who takes the early lead in the tournament, ending one side’s unbeaten run as IPL action in Guwahati wraps up.


Shehzad Khan recalls Raveena-Karisma’s rivalry on AAA set

0
Shehzad Khan recalls Raveena-Karisma’s rivalry on AAA set


Shehzad Khan recalls Raveena Tandon-Karisma Kapoor’s rivalry on Andaz Apna Apna set: ‘We sensed a bit of distance during climax'
The making of Andaz Apna Apna has long been associated with stories of tension between co-stars Raveena Tandon and Karisma Kapoor. Reports over the years have suggested that the two actors barely spoke during the film’s shoot due to an intense rivalry, often ignoring each other and even keeping tabs on each other’s costumes. However, Shehzad Khan, son of veteran actor Ajit, who played Bhalla in the cult comedy, says his personal experience was far less dramatic.

The making of Andaz Apna Apna has long been associated with stories of tension between co-stars Raveena Tandon and Karisma Kapoor. Reports over the years have suggested that the two actors barely spoke during the film’s shoot due to an intense rivalry, often ignoring each other and even keeping tabs on each other’s costumes.It is also widely said that director Rajkumar Santoshi once resorted to extreme measures—like making them sit together—to ease tensions. Today, the phase is often remembered as youthful “classroom politics.”However, Shehzad Khan, son of veteran actor Ajit, who played Bhalla in the cult comedy, says his personal experience was far less dramatic. “I never really had to deal with their fights. Both of them were always very nice to me,” he said in a recent interview with Vickey Lalwani.“In fact, there was a very warm, family-like atmosphere—sometimes even biryani would come from Salman Khan’s house.”He added, “We only sensed a bit of distance during the climax, maybe they weren’t talking much. But I stayed out of all that. I was focused on my work. As a newcomer, you’re anyway nervous and careful.”

‘I kept knocking on doors’

Opening up about his early days, Shehzad said persistence defined his journey. “After that, I kept knocking on doors,” he shared, adding that he worked in films like Qayamat Se Qayamat Tak and Purani Haveli.“I also worked with Amjad Khan, which was a great learning experience,” he added.

‘I thought it was just another promise’

Recalling how he landed Andaz Apna Apna, Shehzad said, “Vinay Sinha had once told me, ‘I’ll take you in my next film.’ I thought it was just another ‘next film’ promise!”But things changed quickly. “One day, I saw a newspaper ad—Aamir Khan, Salman Khan, Raveena, Karisma—but of course, my name wasn’t there.”“At that very moment, I got a call asking me to come to Sunny Super Sound immediately. I realised something was happening.”

Watch

Raveena Tandon opens up about her fight with Karisma Kapoor in 90’s: ‘She doesn’t feature in my life in any which way…’

‘Rajkumar Santoshi insisted on me’

Shehzad credited Rajkumar Santoshi for backing him. “He told me, ‘I’ve cast everyone, but for one character—Bhalla—I insisted on you,’” he recalled.There was a catch though. “He said, ‘You have to use your father Ajit’s voice and style.’ I was nervous… but I agreed. And that’s how the journey began.”The decision didn’t go down well at home. “Yes, he was upset. He told me, ‘Next time, don’t you dare do this again,’” Shehzad revealed.

‘People were looking for him in me’

Despite the warning, he continued. “What could I do? People appreciated it. At the end of the day, we are entertainers—we are here to entertain the audience,” he said.Explaining his stance, he added, “I told him that people liked it. Also, he had stopped working at that point. So I said, ‘If you’re not working, people are looking for you in me.’”“He had quit at a peak, so naturally there was a void—people still wanted Ajit in some form or the other.”Looking back, Shehzad believes everything eventually settled into place. “Others also started bringing that essence back in their own way. Everyone found their space—I continued doing my work, and others did theirs,” he concluded.


IPL, PBKS vs SRH Preview: Predicted XI, pitch report, weather forecast, head-to-head

0
IPL, PBKS vs SRH Preview: Predicted XI, pitch report, weather forecast, head-to-head


A spirited Punjab Kings side led by Shreyas Iyer will look to build on their impressive start to the Indian Premier League when they host an inconsistent Sunrisers Hyderabad at the New Chandigarh Cricket Stadium on April 11. PBKS are currently unbeaten in three matches, while SRH have struggled to find momentum, losing two of their three games so far.

Both teams possess explosive batting line-ups and will back themselves to outscore the opposition. PBKS, in particular, have made a statement with their chasing ability, first against Gujarat Titans and then against Chennai Super Kings, where they successfully chased down 210 at Chepauk.

SRH, meanwhile, have been hampered by underperforming stars who, on their day, are capable of dismantling any attack. Their campaign began with a loss to Royal Challengers Bengaluru, followed by a win over Kolkata Knight Riders, before another defeat to Lucknow Super Giants in Hyderabad.

IS IT GOING TO BE A BAT-OFF?

Shreyas Iyer’s side boasted one of the strongest batting units last season, reaching their first final in over a decade. Retaining most of that core, they have continued to thrive, with a few key additions strengthening the lineup further.

Opener and wicketkeeper Prabhsimran Singh, coming off a 500-plus run breakthrough season, emphasized that the team is focused on collective success rather than individual accolades like the Orange or Purple Cap. Cooper Connolly, brought in as a replacement for Josh Inglis, has cemented his place at No. 3, emerging as the team’s top scorer with 108 runs from two innings at a strike rate of 163.63. His unbeaten 72 in the opening match against Gujarat Titans was instrumental in guiding PBKS to victory.

On the other hand, SRH’s top order, featuring Abhishek Sharma and Travis Head, has been inconsistent, delivering just one strong performance across three matches. Interim captain Ishan Kishan has also struggled for form, leaving much of the responsibility to Heinrich Klaasen and all-rounder Nitish Kumar Reddy. For SRH to challenge PBKS at home, they will need a collective improvement, particularly from Sharma.

VULNERABILITIES

PBKS’ lower middle order is yet to fire, and SRH will aim to exploit this by picking up early wickets. In pressure situations, much will depend on players like Nehal Wadhera, Shashank Singh, and Marcus Stoinis. The Indian duo hasn’t had the best of domestic season coming into this seaosn’s IPL and thus look out-of-sorts at the moment.

SRH’s bowling unit has also underwhelmed, with experienced names like Harshal Patel and Jaydev Unadkat failing to make a significant impact. Spinner Harsh Dubey has shown promise in the powerplay and will be expected to maintain his form. However, Unadkat endured a tough outing in the previous match, conceding 50 runs in just 23 balls. He will be eager to bounce back after failing to defend nine runs in the final over against LSG.

KEY MATCH-UPS

Yuzvendra Chahal has dismissed Heinrich Klaasen three times in nine T20 innings, but Klaasen still boasts an average of 45.33 and an impressive strike rate of 212.5 against the leg-spinner.

Meanwhile, Shreyas Iyer has struggled against SRH’s Indian pacers, Jaydev Unadkat has dismissed him twice in three IPL innings, and Harshal Patel has got him out three times in four innings.

MULLANPUR: PITCH AND CONDITIONS

The New Chandigarh Stadium is one of the few venues in the tournament that offers some assistance to bowlers. Dew is likely to play a significant role, making the toss crucial, while the pitch is expected to be slightly sluggish. Despite both teams having powerful hitters, the conditions may require batters to build their innings rather than go all-out from the start.

Since 2024, the venue has seen an even split, with two wins each for teams batting first and chasing. In previous matches, spin has been relatively harder to score against, while fast bowlers have enjoyed a better runs-per-wicket ratio.

HEAD TO HEAD

Punjab Kings have struggled in their head-to-head record against Sunrisers Hyderabad, managing just seven wins in 24 meetings in IPL history. SRH have also dominated recent encounters, winning four of the last five. In their most recent clash last season, they chased down a daunting 246-run target in just 18.3 overs, powered by Abhishek Sharma’s record-breaking 141 off 55 balls. However, much has changed since then.

PROBABLE XIs

PBKS Probable XI: Prabhsimran Singh (WK), Cooper Connolly, Shreyas Iyer (C), Shashank Singh, Nehal Wadhera, Marcus Stoinis, Marco Jansen, Xavier Bartlett, Vijaykumar Vyshak, Arshdeep Singh, Yuzvendra Chahal

PBKS Impact Player: Priyansh Arya

SRH Probable XI: Abhishek Sharma, Travis Head, Ishan Kishan (C & WK), Nitish Kumar Reddy, Heinrich Klaasen, Liam Livingstone, Aniket Verma, Harsh Dubey, Shivang Kumar, Jaydev Unadkat, Harshal Patel

SRH Impact Player: Eshan Malinga

IPL 2026 | IPL Schedule | IPL Points Table | IPL Player Stats | Purple Cap | Orange Cap | IPL Videos | Cricket News | Live Score

– Ends

Published On:

Apr 11, 2026 04:00 IST

Tune In


Ranveer Singh agrees to rework his apology in Kantara mimicry row

0
Ranveer Singh agrees to rework his apology in Kantara mimicry row



Ranveer Singh agrees to rework his apology in Kantara mimicry row

Bollywood star Ranveer Singh is currently embroiled in a case being heard by the Karnataka High Court regarding the Kantara mimicry row. The actor was asked to issue an apology in the previous hearing and submitted an affidavit of the same. However, he was asked to rework on the apology after the complainant made an presented an arguement over the same. On Friday, the Dhurandhar star told the Karnataka High Court that he is willing to work with the complainant to revise the wording of his apology affidavit. The statement came after the complainant argued that the actor’s affidavit did not show genuine remorse.

Ranveer Singh to reword his apology

The court was hearing Singh’s petition seeking to quash an FIR registered against him over the incident, which took place during the 56th International Film Festival of India (IFFI) held in Goa last year.

During the event, Singh allegedly mimicked a role played by actor Rishab Shetty in the film and reportedly referred to a deity as a “female ghost,” which led to objections.

Senior advocate Sajan Poovayya, appearing for Singh, informed Justice M. Nagaprasanna that an affidavit of apology had already been filed. He said the actor had also stated in the affidavit that he would visit the concerned temple to offer prayers.

However, the complainant’s counsel argued that the affidavit lacked clarity and did not adequately express remorse. The counsel pointed out that the intention mentioned in the affidavit had not been properly conveyed and sought a more specific and clear apology.

Poovayya then referred to portions of the affidavit, where Singh stated that he was not aware that his actions would offend worshippers and expressed regret for the incident. He also mentioned that Singh had already issued an unconditional public apology after realising the impact of his remarks.

The complainant’s counsel insisted that a more precise affidavit be submitted. In response, Poovayya assured the court that he would work with the complainant to draft a revised version that would address their concerns.

After hearing both sides, the court adjourned the matter to April 23 and directed that a revised affidavit be filed to the satisfaction of the complainant.

About the case

It may be recalled that Ranveer Singh had drawn criticism after referring to a deity as a “female ghost” while enacting a scene of divine possession at the IFFI in Goa. The remarks sparked outrage, with many people taking to social media to accuse the actor of hurting religious sentiments.

Responding to the backlash, Ranveer Singh issued an apology on Instagram for imitating Kannada actor Rishab Shetty’s performance in the film `Kantara: Chapter 1`. He expressed regret over the incident and said he sincerely apologised for his actions.

However, following the controversy, an FIR was registered based on a complaint filed by an advocate. 

(with inputs from IANS)


Melania Trump's speech propels Epstein crisis back to forefront

0
Melania Trump's speech propels Epstein crisis back to forefront



She has now placed herself squarely into the Epstein story and at odds with the administration, which wants to end the investigation.


Akshay Jha on launching Cinema Salon, a curated showcase focusing on independent cinema | Interview

0
Akshay Jha on launching Cinema Salon, a curated showcase focusing on independent cinema | Interview


Actor and intimacy coach Akshay Jha has founded Cinema Salon, a curated, travelling cinema showcase designed as a global, experience-driven platform. Cinema Salon takes independent films beyond traditional distribution, creating intimate, ticketed screenings across cultural capitals worldwide.

Akshay Jha shared that Cinema Salon aims to build a cross-border network for indie cinema.
Akshay Jha shared that Cinema Salon aims to build a cross-border network for indie cinema.

What is Cinema Salon?

Cinema Salon introduces a new circulation model. Each showcase not only creates immersive audience experiences but also generates real audience data and sustained demand, strengthening a film’s market positioning and opening stronger pathways for OTT and distribution deals. It’s a format that extends both the cultural life and commercial value of independent films. In an interaction with HT, Akshay Jha spoke at length about the project, how it is modelled, and how it will be implemented to better position independent voices from India. (Excerpts)

Akshay begins by saying that the idea of Cinema Salon evolved over time. “The first time this idea came to me, it was pretty much at a nascent stage where the idea was that the kind of audience that we need for indie cinema. Somehow, we are not able to reach them properly. We are trying to reach them in a way that we are try to reach an audience that is ready for a Dhurandhar,” he says.

He continues, “Sometimes the audience may overlap, but usually they are not. We are trying to push a tangential style of filmmaking. It is not what we call mainstream. Our job is to make sure that the audience is ready for the kind of film that they are getting into. From there on, I started designing an experience around the film. We are taking a film, which is high on philosophy, poetry, and certain themes… and we want these themes to be carried across to the audience. But if the audience are not ready for it, how do you allow them to invest more and take more out of this piece of art? That’s how the concept started forming.”

The inaugural screening features Iktsuarpok / The Weight of Longing, directed by Dr. Omkar Bhatkar, a meditative, emotionally immersive film that moves beyond conventional storytelling. The film was previously showcased at the 22nd Third Eye Asian Film Festival, where Bhatkar won the Special Jury Prize for Best Debut Director. The screening will take place on 11th April at Alliance Française de Bombay, before travelling to cities like Madrid, Cannes, Paris, Rome, Berlin, London, New York, and Los Angeles.

‘The audience has the option to participate even more deeply’

When asked about how Cinema Salon aims at creating the ‘immersive audience experience’, Akshay says, “Usually, when we go to watch a film, we watch it and then go home. We may engage in an online discussion with someone, but otherwise, if we go to a festival film, there is usually a QnA with the director. That is very film-oriented. Instead of that happening, I would rather see, let the audience who have experienced the film and its themes for the first time, engage with each other on the film. So the engagement is not curated around the director of the film, but around its themes. So the audience has the option to participate even more deeply, using very specifically designed engagement cards that will guide their conversation for the rest of the evening. Questions that help them introspect and which are aligned to the themes of a film.”

“Artistically speaking, I am no one to judge good art or bad art. That’s not the question,” says Akshay when asked about how the films are being picked. “It is all art. Ideally, we need to work with films that are not getting the mainstream push or the festival circuit push. Within that, there are certain films where I can give them an experience: I am not just organising screenings, I am trying to give the audience something more. That is how the curation has been created.”

Talking about certain films getting attention at international film festivals, Akshay says he became aware of it only a year ago. He adds, “I realised that film festivals track movies, from three to four years before they are even ready. Because they see how someone is associated with the project and is attached to a brand. Within the circuit, they have their own set of cards and fair enough. Then, I feel, the initial purpose gets diluted. If a film is executive-produced by Martin Scorsese, it does not need to be in Cannes! One can release the film worldwide anyway!”

Akshay forsees Cinema Salon as a platform for creating more space for independent film distribution. He adds, “What I am laying a groundwork for right now is that I am travelling across Europe, then America, establishing collaborations with venues which are not traditional theatres but more art galleries and cultural centres. The easiest way I can explain it is to think of a particular experience as a ride, as a rollercoaster. This rollercoaster plays at the Alliance Française de Bombay on the 11th, then at Cannes on May 15, in Madrid on May 7, and so on. Think of establishing similar amusement parks all over the world, with filmmakers curating these rollercoasters.”

“We want to make sure that these rides reach different cities and find their own audience because the event is designed in a way that we are hoping to provide indie filmmakers a better revenue share than what mainstream theatres are able to offer them. For example, if we are going to Madrid, we can find a Spanish distribution. If we are in Cannes, we can find French distribution. It is a launchpad discovery platform, which does not go against any festival premiere because of the private screening, and it is not a theatrical release, so one has all the rights in place,” he concludes.


IPL: Sooryavanshi steals the show, floors RCB

0
IPL: Sooryavanshi steals the show, floors RCB


Mumbai: They had all come to watch Virat Kohli. They went away admiring Vaibhav Sooryavanshi. The predominantly Royal Challengers Bengaluru-leaning Guwahati crowd shifted loyalties almost organically towards the home side, as soon as the pocket dynamo from Bihar began putting on a show during Rajasthan Royals’ chase of 202.

Rajasthan Royals' Vaibhav Sooryavanshi against Royal Challengers Bengaluru, in Guwahati. (PTI)
Rajasthan Royals’ Vaibhav Sooryavanshi against Royal Challengers Bengaluru, in Guwahati. (PTI)

He showed scant respect to the league’s highest wicket-taking pace bowler to begin with. The speed at which Sooryavanshi slammed a Bhuvneshwar Kumar full length ball with his high back lift straight past the bowler was just a teaser. A battle against Josh Hazlewood, one of the great seam bowlers of our time, should have been a sterner test for the youngster but that’s not how it panned out.

Sooryavanshi offered the returning-from-injury Hazlewood the same welcome to the crease as he did to Jasprit Bumrah the other day. A maximum over deep point. Play the ball, not the bowler… Sooryavanshi had internalized the cricketing maxim.

His fourth over takedown of Hazlewood where he spanked the Australian fast bowler to all corners of the Baraspara Cricket stadium for three fours and a six was a conclusive reminder, if one was even needed, that Sooryavanshi was one among equals, belying his baby face and age.

Sooryavanshi went on to equal his season-fastest half-century when he got there in 15 balls. And by the time he holed out to Kohli’s hands at long on off Krunal Pandya, his 26-ball 78 with 8 fours and 7 sixes had gone a long way to swing the match in RR’s favour. They were 129/2 in 8.1 overs when the left-hander left. They lost a few wickets in a cluster but Dhruv Jurel (81 off 43 balls) saw them home to a six-wicket win.

Rain showers delayed the start of the match by an hour. Buoyed by a freshened pitch, Jofra Archer bent his back and let it rip. His first-ball dismissal of Phil Salt (0) was straight out of a Test match playbook: a lifter that got the batter ducking and sent him packing.

It didn’t seem to matter to the Guwahati crowd, who had come out in big numbers wearing RCB No.18. Kohli did not disappoint them in the early overs. It was trial by fire for him, facing good lengths with the ball deviating off the surface. An inside edge for four, an outside edge for a boundary. In between all that, he played some silken strokes and flowing boundaries. But the crowd favourite would soon have to leave after his 16-ball 32, when he fell to Ravi Bishnoi’s cunning angles and change of pace.

After starting with high pace and hard lengths, RR bowlers soon shifted to mix-ups and fingers rolling over the ball. Between Sandeep Sharma, Brijesh Sharma, spinners Bishnoi and Ravindra Jadeja, they chained down RCB with constant flow of wickets.

At 125/7 after 14 overs, RCB decided for themselves, 160 was not going to be enough. They activated Impact Sub Venkatesh Iyer at No.9. At the same time Rajat Patidar, who had been looking to take the match deep, was asked to switch gears.

With the in-form skipper leading, the Patidar-Iyer partnership produced 41 runs of 19 balls to keep the defending champions in the match. Iyer 29 (15*) finished the innings with a late dash in the last over to take RCB past 200.


Income tax deparment disposes 2.22 lakh appeals in FY26; says CBDT chairman

0
Income tax deparment disposes 2.22 lakh appeals in FY26; says CBDT chairman


Income tax deparment disposes 2.22 lakh appeals in FY26; says CBDT chairman

The Income Tax Department disposed of 2.22 lakh appeals in the last financial year, marking a 29% increase over the previous fiscal as part of efforts to reduce disputes and improve taxpayer services, PTI reported.CBDT chairman Ravi Agrawal, in a letter to officials, said actions in the current fiscal (2026-27) should be “guided” by data, “proportionate” and aligned with the goal of a “fair and efficient” tax system.He said the department has “significantly” strengthened the use of data analytics and intelligence-driven approaches to identify risks and guide enforcement.Agrawal noted that “theme-based” investigations were undertaken to address issues such as incorrect claims of deductions and suppression of business receipts.According to official data, 2,22,540 appeals were disposed of in 2025-26, compared to 1,72,361 in 2024-25, reflecting a growth of 29.11%.Of the 1,51,239 legacy appeals pending at the beginning of the year, 50,654 cases were cleared through a “special drive”, reinforcing the department’s “commitment” to bringing “certainty” to the tax system.As a result, carry-forward pendency of legacy appeals declined by 33.49% compared to the previous year.The department also disposed of 72,933 grievances during the fiscal, with an average resolution time of 47 days.Additionally, 1,32,125 rectification applications were processed and 5,68,621 orders giving effect (OGEs) were issued.Overall, more than 10.26 lakh cases were disposed of across OGEs, rectifications and grievance redressal, leading to a reduction of Rs 12,33,469 crore in outstanding demand, officials said.Agrawal said about 1.56 lakh trusts were granted registrations and re-registrations, with many brought into the digital system from paper records.The department also signed 219 advance pricing agreements (APAs), up 25.86% from 174 in the previous fiscal, aimed at providing certainty in transfer pricing.He said 2026 holds “special significance” with the rollout of the new Income Tax Act, 2025 and Income Tax Rules, 2026, which aim to enhance ease of compliance while strengthening a non-intrusive, data-driven tax administration.